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My Favorite Bands/Albums/Musical Concepts of the 2000s [Feedback]
Dec 14th, 2009 by Dan

It’s really been tough coming up with the music that has most resonated with me in the 2000s. Wanting to represent the entire decade is tough, since I don’t really find the music that I used to listen to before I went to college all that good. Once I had more money and exposure beyond the mainstream acts I was familiar with in high school, I feel my tastes really changed up some. This list is definitely not representative of the actual best bands of the decade, they’re just bands that had a strong effect on me and my musical development.

I’ll start with a band who I was introduced to my sophomore year of high school, Lucky Boys Confusion.

Lucky Boys Confusion

Notable Albums: Throwing the Game (2001) and Commitment (2003)

This one came to me courtesy of my friend Kristin who brought a burnt copy of Throwing the Game up to Tampa with her for a summer visit my sophomore year of high school (2002). The band isn’t anything too special that’s about to revolutionize music or anything, they’re just a solid rock band from Chicago with a great sound. My favorite songs by the band are “Not About Debra”, a Latin-infused song about a girl in the wrong relationship, “Do You Miss Me? [Killians]”, an upbeat cover of the freestyle classic by the same name (sans the [Killians]) by Jocelyn Enriquez, “Sunday Afternoon”, a nice reggae-type break from the usual uptempo beats that LBC is known for.

The band never really saw much mainstream success. “Hey Driver” was their most popular song and actually made it into some video games, movies, and got some airtime, but they broke up only moderately more famous than they were when they were first signed.

Five Iron Frenzy

Notable Album: The End is Near/Here (2003)

As a primarily ’90s act, I was hesitant to include FIF in my list of my favorite music of the aughts, but their musical swan song had a major effect on my musical development, so I couldn’t rightly leave them out. Beyond just the CD, Five Iron Frenzy’s farewell tour, Winners Never Quit, was the first time I recognized that a live show was well worth attending. Before that I’d seen music live a few times and listened to a live CD here or there, but found them to be sub par. I was annoyed that the songs varied from the usual pace and intricacies of the album version and seemed to have lower quality. It all changed that night.

The small, intimate club atmosphere put me up close with fans for the first time (my previous concerts had been mega-stadium deals) with a band playing an emotional final tour. I also learned the best part about a live show: the new ways in which a band mixes up their music. I got to listen to the amazing FIF Medley (also on The End is Here), which, aside from it luckily being on a CD, I probably would never hear again. Ever since that night in Orlando, concerts became a part of my musical experience and the effect that FIF had on me is apparent when you realize how much of my music is upbeat, uptempo, and filled with brass sections. They may not be the best band on this list, but they’re one of the most important ones.

Rx Bandits

Notable Albums: The Resignation (2003), …And the Battle Begun (2006), Mandala (2009)

I didn’t realize what I got when my friend Daniela gave me a copy of The Resignation for Christmas back in 2004. We listened to it and she brilliantly pinpointed “Mastering the List” as my favorite track on the CD, but I didn’t get just how good the CD was for two years, a testament to how music tastes can drastically change over short periods of time. When I finally started listening in earnest in 2006, I think the best adjective to describe the experience was revelatory.

Of all the bands on this list, I think I’ve gone on and on about the Bandits the most on this blog and for good reason. They are talented, their music is rich and full, their lyrics are pretty solid, if not a little too hippie, and their dedication to an organic sound seems unparalleled in today’s overproduced soundscape. If there’s one album on this post that you choose to listen to, it should be …And the Battle Begun. It’s my favorite album of all time (as of 2009) and I don’t think there’s a single stinker on the whole disc.

Their best songs are “Mastering the List”, “Never Slept So Soundly”, “Decrescendo”, “In Her Drawer”, “Only for the Night” (my favorite on the list), “Tainted Wheat”, “White Lies”, and “Mientras la Veo Soñar.”

If there was one criticism I’d have for the band, it’s that they got rid of their horn section between …And the Battle Begun and Mandala. It doesn’t mean there’s no more brass in their newer work, it just means that it’s no longer a regular part of the band. Shame that they’re losing it, but they claim it has allowed them to open up and improve their song complexity.

Green Day

Notable Album: American Idiot (2004)

Another band that hails primarily from the previous decade, but whose 2004 release marked a huge turning point for the band. Yeah, Dookie is probably their most famous album, but American Idiot went and upped their pop relevance to eleven. The rock opera heralded in the “new” Green Day and turned the band into something far beyond its punk rock roots singing about weed and bumming around. For me, it was a great concept album whose lyrics seemed bold (I’m pretty sure they were early on the Bush backlash train) and far deeper than “Longview.” I don’t listen to the album much today, since I played it out my freshman year, but I’ll still let “Give Me Novacaine” or “Extraordinary Girl” play any time they come up on shuffle.

Relient K

Notable Album: Mmhmm (2004)

When I think of my freshman year at Cornell, American Idiot and Mmhmm are the soundtrack that plays in the background. I listened to both CDs many times on my way too and from the townhouses and the engineering quad, not to mention through my computer’s speakers. Mmhmm represents the transition from Relient K from a slightly niche, Christian music band to a more popular, mainstream act with its understated message (it seems that they returned to their more obvious Christian references with Five Score and Seven Years Ago) and their sound had matured to the best I’d heard since their debut album.

The album is full of some great songs, but my personal favorites are “High of 75”, because it cheered me up in the miserable Ithaca weather, “My Girl’s Ex-Boyfriend”, because I love sappy love songs, and “Which To Bury, Us or the Hatchet?”, because it resonated with my seriously rocky and messed up relationship at the time. Beyond that, the rest of the album is also great, but I can’t just list all the tracks now, can I?

The Zutons

Notable Albums: Who Killed…… The Zutons? (2004), You Can Do Anything (2008)

This one comes straight from my old high school friend Michelle. A fan of the quirky, indie scene, she recommended that I check out this band of Liverpudlians and I was not disappointed. You almost can’t go wrong with me if you’ve got brass or a saxophone in your band and The Zutons have one saxophonist adding her own distinct flavor to their already distinct rock grooves. Their music is unique and just great to listen to, especially when you get Abi Harding’s voice harmonizing with Dave McCabe’s on a lot of their numbers and the band’s sound has improved greatly from Who Killed on to You Can Do Anything. Their best songs, “Pressure Point”, “Havana Gang Brawl”, “Valerie”, “You Could Make The Four Walls Cry”, “Put A Little Aside”, and “Freak” are all so different, but all so much fun to listen to, even if they’ll probably never get any airtime stateside.

OK Go

Notable Album: Oh No (2005)

There’s a reason the phrase “sophomore slump” is part of the vernacular and it’s not often that a band not only releases a far superior second album, but does so with a significant change in sound. At a live show I saw them play at Cornell, OK Go outright stated that they were going for a safe, pop sound on their first album to try and appeal to the masses. Listening to it yields some decent tracks, but otherwise, I’d be inclined to agree. It’s cautious and it probably got them a record deal, but it’s not great. In three years, they turned around, completely matured their sound, and launched one of my favorite albums of the decade, Oh No. Almost everyone has heard “Here It Goes Again” or seen the treadmill video and I think you’d be hard pressed to find a person who would rather listen to “Get Over It.” They got that much better.

While I’m mentioning the videos, it’s also worth mentioning that Oh No also represents a creative turn for the band with it’s quirky, interesting, low-budget, high awesomeness music videos. “Do What You Want” has a more typical look, but “Here It Goes Again” and “A Million Ways” have hilariously awesome and indie videos a tradition they’ve melded with budget to create their newest video for “WTF”, which you already know I love. I don’t think that the viral video approach to music videos will take over the industry, but I don’t think you can say that they didn’t start something big with their Youtube-released video.

The whole album is pretty solid, but I’d also like to point out “Oh Lately It’s So Quiet” and “Let It Rain” as great tracks (beyond the ones I’ve already mentioned). They’re two of the slower, more contemplative ones, but they just feel right to listen to.

Fall Out Boy

Notable Albums: From Under the Cork Tree (2005), Folie à Deux (2008)

Yeah, they’re not the greatest band in history, but they’ve got some seriously catchy songs that I can’t help but enjoy. If their songs don’t make your toes tap, I’d seriously question whether or not you have a soul. FOB finally managed to break mainstream with their sophomore album, a CD filled with a neat take on pop and rock that’s just complex and different enough to pique my interests and just safe enough to be ok with the average Joe. Since then FOB continues to push into strange boundaries with its music borrowing from tons of genres and recording some solid tracks. I may not agree with their single selection (:cough: “This Ain’t a Scene, It’s an Arms Race” SUCKS :cough:), but I’d say that 80-90% of their albums are filled with great tracks.

My favorites: “The Take Over, the Breaks Over”, “Hum Hallelujah”, “A Little Less Sixteen Candles, a Little More “Touch Me””, “7 Minutes in Heaven (Atavan Halen)”, “She’s My Winona”, “Headfirst Slide into Cooperstown on a Bad Bet”, and “20 Dollar Nose Bleed”.

Matisyahu

Notable Album: Live at Stubb’s (2005)

I had the chance to see Matisyahu my freshman year at Cornell, but I had no idea who he was. The posters were up one day advertising a Hasidic Jew singing reggae and so I chuckled and went on with my day. Little did I know that a year later I’d hear a track from his live album in my ex’s brother Bobby’s car and fall in love with his brand of religious reggae. That’s the catch, of course, if Jewish-themed music offends you, Matisyahu is not for you. Then again, aside from allusions to scripture, isn’t reggae really all about peace and love? Matisyahu’s music may be about the Old Testament God, but its a celebration of love, life, and peace that will undoubtedly make you smile. My favorite songs by Matisyahu are “King Without a Crown”, “Aish Tamid”, and “Chop ‘Em Down”

Wolfmother

Notable Album: Wolfmother (2006)

Ever feel like the days of classic rock are gone? You must not be listening to Wolfmother. We’re talking straight up 1970s, Satan’s music here. From their ridiculous throwback album covers to the solid guitar solos, these guys clearly never gave up on the past and they want to bring it to the youth of today. They sound so classic that I didn’t notice for months after playing their songs in Guitar Hero II and Rock Band that the year was post 2000. If you’re ever craving a true hard rock sound, look these guys up. They’ll rock your socks off.

Best songs: “Woman”, “Joker & the Thief”

Incubus

Notable Album: Light Grenades (2006)

I know what you’re thinking. Incubus, really? Yes, really. Light Grenades was a solid album. Their best work in the decade, really. I happen to really love “Dig”, “Light Grenades”, “Anna Molly”, and “Paper Shoes”. It’s my list, leave me alone.

Streetlight Manifesto

Notable Albums: Keasbey Nights (2006), Somewhere in the Between (2007)

Probably my favorite ska act and one with kind of an ugly history. If you’ve ever heard of Catch-22, you’ve probably heard their most famous album, Keasbey Nights (1998) and the vocals of Tomas Kalnoky. At some point Kalnoky and the rest of the members had a major falling out and the band mostly split up. Kalnoky started up Streetlight Manifesto and the band gained notoriety quickly while Catch-22 morphed into a new band, but still played Kalnoky’s old songs from Keasbey Nights. Things were pretty dicey and ugly for a time too, because the bands traded lyrical jabs on their subsequent albums and, eventually, it seems that Kalnoky decided it was worth re-recording one of the seminal albums of third-wave ska, hence the Streetlight Manifesto edition of Keasbey Nights. As the owner of both editions of the album, let’s just say that the extra time and money made an already good album great. Kalnoky’s music work in Streetlight is sharp, the horns are solid and the guitars are great, creating a sound that you can’t help jamming to. Their best work comes out in “Riding the Fourth Wave”, “Keasbey Nights”, “Would You Be Impressed”, and “Somewhere in the Between”. Ska can be hit and miss, I know that most people don’t like it, but you’ve gotta check these guys out, they’ve refined the genre to its best.

The Fratellis

Notable Album: Costello Music (2006)

The UK makes the list again with Scottish rock band The Fratellis. Their music is so full of energy and that unique, intangible British music quality that I couldn’t help but fall in love with the band after playing their songs in Rock Band for the first time. “Henrietta”, “Chelsea Dagger”, and “Ole Black ‘n’ Blue Eyes” are my favorites from the disc, but there are plenty more where that came from with a mix of wild rock and slower, British-sounding songs to break up the beat and calm the heartbeat. A band definitely worth checking out.

Jarabe de Palo

Notable Album: Adelantando (2007)

I’ve listened to a lot of Spanish music in my lifetime. It’s a byproduct of my heritage, but most of what got airtime when I was a kid was salsa, merengue, the occasional bachata, and (nowadays) reggaeton. While they’re all plenty fun genres to listen to, there’s not a whole lot of innovation to be found in the strict confines of their musical definitions. Then Daniela went and introduced me to yet another great band, Jarabe de Palo. They’re not what you’d call typical Latin music, in fact because they’ve gone and formed a rock band and it’s actually not half bad. It’s actually pretty common to see other countries try and adopt American musical styles, but the results are usually pretty ghastly. Thankfully, Jarabe de Palo avoids this common shortcoming of foreign rock and is actually some pretty great music. His best tracks (that I know) are “Me gusta como eres”, “Dejame vivir”, and “Estamos prohibidos”.

Jonathan Coulton

Notable Albums: Where Tradition Meets Tomorrow (2004), Thing-a-Week 1-4 (2006)

In 2007 I played a game by Valve called Portal. Aside from being one of the best games in the history of gaming, it also featured one of the greatest songs in gaming at the end, “Still Alive”. That same Christmas, my ex-girlfriend’s brother (he makes a reappearance) showed me a youtube video of Coulton playing “RE: Your Brains”. Both were great, but in the hustle of the season, I failed to take notice of Coulton until about April or May of 2008. On a whim, I decided to check out Coulton’s work and bought his entire collection off of his website without listening to most of it. That day I took notice of the greatest Internet folk sensation to ever grace the web. Coulton’s music is mostly nerdy love songs and he himself has claimed that he needs to make an effort to write fewer melancholic love songs, but he’s also got songs about completely random things, like a tall tale about baseball’s first commissioner and how he dealt with the Black Sox Scandal, Kenesaw Mountain Landis (in a song appropriately titled “Kenesaw Mountain Landis”) or one about the trials and tribulations of being a clown (“Bozo’s Lament”). Perhaps his greatest undertaking was his Thing-a-Week challenge, where he took it upon himself to write and produce one song every week, which actually produced some of his most famous songs like “RE: Your Brains” and “Code Monkey”.

Other than the songs I’ve already mentioned, my favorites include “Screwed”, “Skullcrusher Mountain”, “Madelaine”, “Mandelbrot Set”, and “When You Go”, but I could list 10 or 20 more songs that are just as fantastic. Even better is that Coulton is all about Creative Commons and he understands the internet. He’s got an option to pay him some cash if you’ve already stolen his music and he’s more than happy to let you remix it or use it however you want, so long as you credit him. He’s truly a product of the Internet and a great musician to boot.

2007/2008 also brought two big concepts that changed the way I dealt with music and time. One thing, podcasting, is arguably not music, but it’s audio-related, so it’s worth mentioning. Before I had an iPod, I occasionally walked around campus with a CD player, but I mostly didn’t listen to much at all. After I got one and started getting podcasts, the way that information was relayed to me made a fundamental change and now I was learning about all of my hobbies and passions during my dead time walking around campus (and driving to work once I graduated). It’s pretty amazing to see that in a few short years which podcasts I’ve settled on and which ones I’ve moved on from as I struck a balance between too much (and a diminished ability to listen to anything but podcasts) and too little.

The other major musical revolution of the decade was the rise of Guitar Hero and Rock Band. I first played Guitar Hero back in the summer of 2007 and I immediately fell in love. When word started to trickle in about Rock Band, I was initially skeptical, since I believed it to be a knockoff (I later learned that it was the true evolution of the series put forward by the true innovators behind the magic, Harmonix), but I eventually came around and pre-ordered the special edition for my xbox. That game meant a lot to me and it even changed some fundamental things about me. It’s also been one of the best ways for me to gain access to new music and has widened my musical tastes considerably.

Back to bands!

Anamanaguchi

Notable Album: Dawn Metropolis (2009)

I get why people might be skeptical about chiptunes. It’s 8-bit music coming out of retro sound chips and nine times out of ten, people use it to just remix video game music. Imagine my surprise when I read an article about Anamanaguchi on Kotaku by Leigh Alexander detailing how this Brooklyn band was making great strides. Their music is top notch and stands out from the crowd because they don’t just play a 1985 NES, they’ve also got a drummer, guitarist, and bassist thrown in there. The music may take its cues from some of the conventions set forth by the game composers of the 1980s, but their music is completely original and super catchy.

My favorites: “Jetpack Blues, Sunset Hues”, “Tempest, Teamwork, Triumph (at Sea)”

Sambomaster (サンボマスター)

Notable Albums: サンボマスターは君に語りかける (Sambomaster is Talking to You) (2005), 僕と君の全てをロックンロールと呼べ (Call everything that we (you and I) are ‘Rock n’ Roll’) (2006)

What’s an article on this blog without some sort of tim rogers mention? It was this year that I read “changing the world in japanese” on his blog LargePrimeNumbers, a treatise on rock music, Japan, and, most importantly, how Sambomaster was one of the most important bands playing in Japan. Listening to the track he had posted on that article, Romanized as “Sono Nukumori ni Yō ga Aru”, I saw precisely what he was saying and became an instant Sambomaster fan. From that sandpaper, gravely voice to the emotion that is so obviously apparent through the language barrier, Sambomaster’s music speaks to a deep part of me. The guitars are stellar and interesting, the drumlines are solid, and Takashi Yamaguchi’s vocals just resonate and feel so right.

My favorite story about the band is that I’d actually heard their music back in 2005 as the fifth opening to the Naruto anime. I had no idea what the band was called or what the song was, but when I heard it, I immediately called it my favorite opening of the series and filed it in the back of my mind. Imagine the joy that returned to me when I was reading about Sambomaster on tim’s site and I downloaded and listened to “Sono Nukumori ni Yō ga Aru”. As I recognized Yamaguchi’s distinct vocals and guitar style, I immediately began researching whether or not the same group was responsible. I was right and I’ve been smiling about the band ever since.

Keyword Roundup [Uncat]
Jul 4th, 2009 by Dan

Happy Fourth of July!

Recent statistics packages on my blog allowed me to browse search terms that lead to my site. So here’s what you’ve been searching in July along with relevant links and/or answers to your questions.

mlb power pros 2009 – 68 hits

MLB Power Pros continues to be a strong draw for my blog since I’m probably one of the few guys who talks about it. Real shame too, because it’s such a great game. Many come to the blog hoping to find news about the 2009 edition, but, if they’ve hit up my post they know that I’m skeptical that the game will come stateside.

vinny caravella – 21hits

persona 4 endurance run – 14 hits

Embedding the Persona 4 Endurance Runs on this website has had a profound effect on my traffic as Vinny Caravella and the Endurance Run itself seems to draw quite a bit of traffic to me.

server.ericsbinaryworld.com – 14 hits

Not too surprising, the root search for my brother’s server yields my website.

pokemon platinum evolution table – 13 hits

I’m not quite sure what a Pokemon Platinum evolution table is, but you can find good pokedex resources at Marriland and Serebii.net

dwarf fortress stories – 12 hits

Clearly a reference to these two posts: (1, 2), folks looking for Dwarf Fortress stories can also find some great ones at the official forums. Other options include the fantastically hilarious story of BoatMurdered and the more serious, but still fun Nist Akath

claudia black nude – 11 hits

Claudia Black, newest addition to the Uncharted franchise, seems to be a rather popular figure on the blog. According to this VERY NSFW SITE, she has never done any nude roles. Sorry guys, tough luck.

power pros 2009 – 7 hits

See above!

mai shiranui nude – 6

This one shouldn’t really be all that hard to find people, seriously! Here’s are VERY NSFW links. I don’t know if that’s the best stuff out there, but I’m not really willing to look.

fallout 3 vegas – 5 hits

No real news on this.

persona 4 review – 5

No doubt searching for my review.

giant bomb achievements – 5 hits

My achievements. Let me show you them.

i bring nothing to the table – 4 hits

The URL. You can’t miss it, it’s right at the top of the screen.

timon – 4 hits

I’m guessing they mean the meerkat, but just in case, here’s a disambiguation.

gears of war 2 exp table – 4 hits

Are you referring to the new experience system? Google also gets confused cause the word Table is in my URL, despite it having nothing to do with GoW 2.

endurance run persona 4 – 4 hits

See above

metal gear solid 4 proves that players will put up with mediocre gameplay as long as the art is good – 4 hits

Totally wrong. MGS4 has FANTASTIC gameplay. It’s the story that’s seriously lacking.
mlb power pros 2009 release 4

bubblegum crisis hentai – 3 hits

Kicking it old school, huh? Not sure if this link will ever work, but please don’t make me keep searching for this stuff…

pete mccullough bass – 3 hits

The bassist for Streetlight Manifesto. Their URL can be found here

endurance run persona – 3 hits

See above

tabel van dempster – 3

I have no idea what this is or why it leads to me. Probably because my site contains the word Table and I’ve spoken about Ryan Demptser

youtube mariano rivera major league at bat – 3

Mariano Rivera got himself his first RBI on the same day he got his 500th save. What a milestone! MLB doesn’t allow video of their games on Youtube, but you can try their website. No guarantee how long it will be up.

mlb power pros 2009 wii – 3 hits
“mlb power pros 2009” – 3 hits

See above

nothingtothetable.com – 3

My fantastic URL!

kings quest princess bride clues – 3

One big problem with this search term: It should be King’s Quest VII: The Princeless Bride. Other than that, you can find some FAQs and walkthroughs here.

the gregory brothers – 3 hits

I love Auto-Tune the News. You can find the Gregory Brothers URL here.

best dwarf fortress stories – 3 hits

See above!

pokemon fight table – 2 hits

Again, see above.

streetlight manifesto christian – 2

You know the drill. You’re also confused. There’s never been a member named Christian and this is NOT a Christian band.

super punch out super hard mode – 2 hits

Officially called Title Defense Mode, here are some hints.

dean strelau – 2 hits

A friend of mine mentioned in this post about baseball. I wonder who was google-stalking him?

gustavo sorola – 2 hits

One of the founders of Rooster Teeth. Very funny man.

youtube boston batter shatters bat against washington 2

Pretty dangerous event. The bat almost hit Nick Green and caused him to miss the fielding.

l4d zoey track jacket – 2

Surprising that I get the L4D track jacket (available here) as a hit instead of the nude Zoey mod post I made. No complaints here.

Streetlight Manifesto Concert [Feedback]
Apr 28th, 2009 by Dan

Last Friday I went out to Towson to see one of my favorite bands, Streetlight Manifesto. The last (and only) ska show I’d ever been to was back in 2003 for Five Iron Frenzy’s farewell tour, which primarily means that I didn’t really go to a ska show. You see, FIF skewed mostly to a Christian audience and so at their shows they mostly discouraged the shoving and pushing endemic of most ska concerts. Naturally, SLM had no such qualms about the shoving, so I got firsthand knowledge of just how hard it is to jump/dance, sing, try and stay on two feet in all the shoving, and, most importantly, breathe. Other than all the unnecessary shoving (I get why, it’s all the energy, but it just seems kind of pointless…maybe I’m just old?), the venue was my kind of place. The last show I went to was at the DAR Constitution Hall (that’s Daughters of the American Revolution for the uninformed), which was a huge venue that meant that we had assigned seats that we were mostly confined to. Now, I was mostly turned off by Ben Folds’ all-new stuff set that night, but that doesn’t mean that I didn’t want to be out in a crowd for it too. The Recher Theatre, on the other hand, was a tiny venue, with capacity for maybe 1000 people, if you stretched the limits of the place and maybe ignored a fire code or two. Perfect for a rock show, although I do also like the setup they had at school for Slope Day for the same kind of show.

The openers that night were the Skakabobs, an old ska group on a reunion tour. They must be really small time, cause Wikipedia doesn’t even know who they are, which would almost lead me to believe they didn’t exist if I hadn’t seen them with my own two eyes and heard fans of theirs singing their songs last night. Most of the band showed up for the reunion, but either the trombonist or the lead singer didn’t show up, because the lead singer that night also doubled as the trombonist when he was free of the mic. Their set was typical of ska bands and ska music, high energy, irrelevant, and catchy. Of note were two songs, one about Chinese food and the other about Emilio Estevez and how he was the band leader’s girlfriend (I believe this one was called “Emilio”). The latter featured chants of “Estevez!” after “Emilio!”s rang out, followed by awesome “Charlie!” “Sheen!”s. A good show and I was impressed…until I heard SLM come onto the stage.

It’s not the Skakabobs’ fault that they just can’t match up to Streetlight Manifesto, they just have a much richer sound that has yet to be upstaged by any ska performer I’ve heard since. The main strength, in my humble opinion, of SLM has to do with the composition of their horn section. Not content with just one saxophonist, Streetlight features both an alto (Jim Conti) and a baritone (Mike Brown) sax along with the usual trombone (Mike Soprano), trumpet (Matt Stewart), guitar (Tomas Kalnoky), bass (Peter McCullough), and drums. Each member of the band is a fully capable performer in his own right, which is frequently highlighted in their music with horn duets and solos, providing kind of a jazzy feel to their performance to break up all the ska punk flying around. They opened strong, they closed strong, and they had excellent pacing with a nice, slower section in the middle to ease us in to the raucous finale. I’ve yet to go to a better show.

On an interesting side note, lead singer Tomas Kalnoky mentioned that there would be a new SLM album of covers released on the net this summer and that, following Warped Tour, they would be working on their final album for Victory Records, creatively freeing them up to do whatever they wanted. I can’t wait.

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