Fan-Created Poster of Source Code by Matt Needle

Movies

Source Code – Some defect in the genetic composition of my brothers has caused them to write off this movie as garbage. I assure everyone reading that the numbers obtained by Rotten Tomatoes assuring the public that 90% of movie reviewers liked this movie are worth listening to. The “thinking man’s action blockbuster” seems to have become a thing with Inception last year and Duncan Jones delivers. It’s not quite as deep as Nolan’s epic, but still the best option in theaters at the moment.

Sucker Punch – I can’t think of a movie that has missed its mark harder than Sucker Punch did. It’s almost depressing to watch knowing what Zack Snyder intended. Instead we got a movie whose parts don’t gel and whose concept overmatches its director. It makes me want to propose co-directed movies. Let Snyder do the action while someone else handles all the dialog, character interaction, story, etc. It’s worth mentioning that the action sequences are super-cool and easily the only successful parts of the flick, which means if you get bored during straight action scenes, this movie has nothing for you.

Tangled – Naysayers who think Pixar is the only CG talent within Disney, look out. This movie proves that the magic from our collective youths has yet to be extinguished. Marketing would have you believe that Rider (the thief) and Maximus (the horse) would be the focus of the movie a la Aladdin. Marketing is wrong. Fearing that young boys wouldn’t come to the theater to watch a movie about a girl, they hid the fact that it’s a coming-of-age story about the very sheltered Rapunzel. Funny, charming, and worth renting.

TV

Justified – Continues to be my favorite show each week. Tensions are running high in Harlan County and Raylan is stuck right in the middle. I’m not caught up with this week’s episode yet, but I’m sure it’ll continue to be great.

Archer – Oh god, last week’s episode about Cheryl was a riot. The writers are definitely on a roll

Tremé – When I wasn’t watching baseball this week I was catching up on Tremé OnDemand. David Simon’s look at post-Katrina New Orleans lacks some of the focus, direction, and structure that police work gave The Wire, but Tremé is still chock full of fleshed out characters that I cared about. Every episode is full of fantastic music (some might say just a little too much music), great drama, and believable events. Season 2 starts this month and I’ll definitely be tuning in.

Baseball – Surprise, surprise, right? This season has started out with some mega-interesting storylines. The Red Sox and Rays have baffled sportswriters with their inability to win, Manny Ramirez has retired in the face of drug-related sanctions, and, most importantly, the Marlins are off to a solid 5-3 start good enough for second in the NL East.

Those two movies really couldn’t be more different, but that’s what I watched this week. A few words on each:

The buzz about The Hangover was everywhere when that movie came out. Heck, even Rotten Tomatoes was calling it fresh, but I refused to believe it. I’ve been burned by far too many mediocre, unfunny, lowest common denominator comedies in the past and I refused to believe that this was any different based on the trailers. I could not have been more wrong.

Maybe it’s just the absurdity of the situation and the characters, like how they stole a tiger from Mike Tyson or how they had a Chinese mobster in their trunk, or maybe it’s just the sharp dialogue and the brilliant interplay between the movie’s three stars who have hilarious on-screen interactions. Either way, it’s a surprisingly funny movie well worth renting.

On the other end of the spectrum we have the Studio Ghibli produced Howl’s Moving Castle. If you’ve ever seen anything by Miyazaki, you pretty much already know what to expect. Gorgeous art, sweeping landscapes, epic stories, and cute, well-acted characters. There’s a specific visual style that Ghibli employs and it fits in just right with the European setting of HMC. It’s great to see that someone like Miyazaki is able to capture the wonder of both Eastern and Western locales with such great skill. Some parts of the movie don’t make much sense (but that may have been because I was splitting my attention a bit) and it’s not Ghibli’s best work, but it’s still a fine movie well worth watching especially because of how well the character Calcifer is drawn and portrayed (he’s a cute little fire demon).

I’m a naturally skeptical guy when it comes to my entertainment. There is only so much time in a day and I don’t want to devote my time to watching crummy movies, playing bad games, or reading stupid books. So it takes someone whose tastes I trust to recommend a movie to me or a rock-solid trailer coupled with good scores on IMDB or Rotten Tomatoes to really get me to see a movie. I initially resisted The 40-Year-Old Virgin based on trailers, but when I finally saw the movie based on The Office-related Steve Carell love, I found a rather funny and enjoyable movie.

Then Knocked Up began to be advertised as “From the people who brought you…” which is a giant red flag to me. I mean, how often have we all been burned by that ad trick? Producers are not directors, so who knows how this could turn out? I was dragged out to see it, kicking and screaming, but I found myself, again, pleasantly surprised. Perhaps these Judd Apatow-produced movies could continually be good. Maybe the same producer does have an influence on a film.

It all came to a head with Superbad. Fueled mostly by my desire to see Michael Cera in any project he’s ever a part of, and saw one of the best comedies I have ever seen. So nowadays I don’t ever doubt the Judd Apatow brand and I will blindly go and see any Apatow-produced movie, no matter whether or not the trailer is any good (strangely enough, maybe brilliantly? Judd Apatow movies never have good trailers and they are generally not that funny to me).

His most recently produced movie, Forgetting Sarah Marshall, was also written and directed by one of my favorite tv actors, Jason Segel, and also starred another of my favorites, Kristen Bell, so I wanted to go before I even saw the movie trailers. If you haven’t seen any trailers, here’s the general plot: Peter Bretter (Segel) is a moderately successful composer for the TV show his girlfriend, Sarah Marshall (Bell) stars in and they have a loving relationship. Except she breaks up with him to be with British rock star Aldous Snow (Russel Brand). To escape the pain, he heads out to Hawaii only to find that Sarah is also vacationing there…with Aldous. Hilarity ensues.

So let’s talk about the movie a bit: This is Segel’s debut as a writer and a director and he definitely does a great job on all counts with this movie. The scenes don’t go on for too long, the writing is on its game about 99% of the time, and the acting is all really well done. I’m not typically a fan of toilet humor or any sort of crude, idiotic humor, yet this movie still tickles the funny bone, even with its crude humor just because it has that balance that all Apatow movies seem to have with making me laugh at things that are truly not funny in any other movie. You couldn’t say that the humor was intellectual, but it’s still on a level beyond what you expect it to be. You will laugh hard if you see this movie. Forgetting Sarah Marshall also has some funny self-referential moments with Kristen Bell’s show being canceled after its third season (I think) and it being a detective show as well, mirroring the great Veronica Mars that was criminally (see what I did there?) canceled too soon.

Go and see this movie, seriously. It’s funny. I emphatically recommend it.