Dan and Dave Play: The Last Story Chapter 1 [GO]
Aug 27th, 2012 by David

The most enduring video game memories that David and I have involve sitting next to each other and playing RPGs. We spent countless hours with Squaresoft RPGs, in particular, so when we heard that The Last Story, by Hironobu Sakaguchi, the father of Final Fantasy, was getting a US release we knew that we had to play it and had to talk about it. Here are our ramblings.

Chapter 1

Spoiler Alert! Read with your eyes closed if you don’t wanna see them

David: Alright! Let’s do this. This is our conversation/rambling for Chapter 1 of Last Story. This is the first time I’ve appeared on your blog, Dan, so thanks for the opportunity.

Dan: Happy to have you, hermano.

David: I’m really excited about playing through another Sakaguchi/Uematsu production. I think the last one I played was 2 years ago. It was Blue Dragon on the Xbox. It was a pretty good game, but nothing special or memorable. What sort of expectation do you have for Last Story?

Dan: It’s kind of funny how you and I have played the opposite Mistwalker releases. My last Sakaguchi/Uematsu game was Lost Odyssey. That was definitely a Final Fantasy-style game, but I’m expecting something pretty different for The Last Story. I mean, for one thing, it’s an action RPG and, from what I hear, this isn’t a globe-spanning story. It focuses on a single city.

David: I think the only thing I’m going to miss from the globe-spanning story style is zooming around in an airship. I’m getting nostalgic memories now of us flying around the World of Ruin in FFVI when we were kids.

Dan: Perhaps it’ll be good to see Sakaguchi break the mold a little bit, you know? The confined story thing worked out fantastically for Dragon Age 2. That game gets a lot of flack, but, trust me, it’s miles better than Origins mostly because of its smaller scale and tighter focus.

David: Games are getting a lot more complicated and require a lot more detail now. Trying to make a huge world it a big trade off. At least with one city, they are able to focus on making that city alive.


David: So we’ve booted up the game and first thing it shows is a very simple and beautiful title screen. Just pure white and the Last Story logo.

Dan: I think it’s weird that you push ‘A’ to go from an all white title screen to a cave background that requires yet another button press to get to the main menu.

David: Ya, I think it was odd too that you go from a title screen to another title screen. I wonder what’s the significance of it. It’d be interesting to see if it changes during the progress of your game.

Dan: That would make a lot of sense since it seemed like the second title screen was on the Reptid cave.

David: I’m also a really big fan of the opening song. The loop on it is a bit short, but the simple violin piece is beautiful and its simplicity goes well with the title screen.

Dan: I like it too. It’s got that Uematsu touch without being so reminiscent of the Prelude theme. Very soothing and welcoming. “This is a JRPG, guys. Come on in.”

David: I think one of the reasons the Last Story Prelude sounds so different than the FF Prelude is because Last Story started off on the Wii. The FF Prelude started on the NES where they had to work with 8-bit hardware. As the hardware got better, they were able to add more definition to the Prelude, but only to a certain extent because it needed to be similar to the FFI Prelude on the NES to keep the series feel. I think that starting from scratch on a new game gives Uematsu a chance for creative freedom. On Last Story, he doesn’t have follow a set formula for coming up with the music or themes. In fact, I think it was Sakaguchi’s intention to make the whole game feel different from other games he’s produced, or in this case, directed.

Dan: You have to figure that Sakaguchi is poking fun at Square Enix with everything he’s doing here. He built the foundation that they’re slowly wrecking. I don’t know of any other way to read a title like The Last Story and not think, “Oh man, he’s making fun of Final Fantasy.”

David: I haven’t checked it out yet, but the game came with a mini soundtrack of the game. I need to give it a listen sometime.

Dan: I’ve listened to a few tracks. It’s definitely something new. Fantasy-style with a little more oomph. None of the tunes have stood out as instant classics for me yet, but I have slight issues with the way modern fantasy game music starts to sound generic. It’s just me, though. We don’t have to get into it. The action tracks remind me a bunch of Metal Gear Solid music.


David: The game also game with a 44 page Art Gallery. I flipped through it. Have you?

Dan: Just a cursory glance. I like the paper stock, but I haven’t had time to really sit down and flip through it. Funny thing is, this is the first game in a while that’s inspired me to bring the instruction manual to work to browse.

David: I feel a bit conflicted about the character design. It looks very JRPG, which is to be expected from a JRPG. And what I mean about that, I had to play a bit of a guessing game to figure out the gender of some of the characters. I think I was just crossing my fingers that since Sakaguchi lives in Hawaii now, he might have strayed away from this look.

Dan: At the same time I don’t think you can say it’s as bad as the Tetsuya Nomura-dominated designs of FFVII and forward. I mean, much fewer belt buckles, for one. Not to mention that if you couldn’t tell that Syrenne was a lady…well…I dunno, man. It’s definitely got a case of the anime cosplay thing where it feels like these characters are overdone, but then again, just go back and look at the Amano art. Just because we couldn’t tell how detailed and crazy our old sprites actually looked doesn’t mean that their designs weren’t just as androgynous and overdone.

David: That’s very true, but I did have a lot of problems trying to figure out if Yurick is a guy or a girl. I’m trying to think back to Amano’s art. I don’t think I’ve seen a huge amount, but it was at least easy to tell the gender from the clothing of the character alone. Most of Amano’s work was set in medieval times, so the clothing defined it for you. You know, one of these days, I wanna play a JRPG where the protagonist has a normal haircut, one belt, a shirt, and a beer belly. And as he progresses through the game and levels up, he starts getting toned. His stomach goes down and turns to abs, his arms get bigger. It’d be a nice change I think. It’s just ridiculous how, for example, Vaan in FFXII was an androgynous young teenage character and the only reason you knew he was a guy was because he had a six pack. What I’m picturing is some washed up guy who rises to the need of the world and saves them from evil. Like a Bruce Willis RPG.

Dan: I’d play a dudebro RPG like that. It’s not like we don’t get radical character design changes in RPGs, right? Look at FF IV. Halfway through Cecil goes from Dark Knight to Paladin.

David: That’s actually a pretty good example, ya.

Dan: All that aside, I do agree that the character designs aren’t exactly impressive, but the cool thing is that the equipped armor can change the way a character looks. Beyond that, you can dye almost anything they’re wearing. In my game, Zael and Dagran have pink shorts and a pink undershirt, respectively.

David: Haha, that’s great. It seems like the whole concept of customizing your appearance is becoming more and more popular. I understand how difficult it must be for programmers to make cutscenes where for one player, Zael looks normal, but for you he’ll be all decked out in pink. I played a little bit of Final Fantasy Crystal Bearers on the Wii. In that game, you can change the emblem on the back of your jacket. To complete the emblem, you need to provide materials and each material adds a different stat to your emblem. It’s a cool concept.

Dan: I think they have a similar thing with dyes that need unlocking in this game, but I don’t know enough about that yet.

David: So you’re going to have a band of pink mercenaries. I think I’ll deck mine out in Orange and Blue to support the Florida Gators. But I don’t think we’ll have to worry about that for a bit. So let’s start the game.

Dan: What’s the first thing you do as soon as you get control of a character in any game? I pretty much always open the options menu and go through everything.

David: I guess I never thought about it. I think I run in a few circles and play with the camera to get the feel of the game. But Last Story didn’t let me dilly dally. It opened with Dagran and Syrenne and felt like I didn’t have time to just run in circles because Syrenne kept running off ahead of me and yakking away about how she was going to kill more monsters than me. And I just had to make sure I beat her.

Dan: So I bet you didn’t find the hidden treasure that was right behind where you started? If you would have just run backwards there was a wall to kick down and a chest containing a Heart of the Outsider.

David: Are you serious?!?!?

Dan: Oh yeah, dude. Right there right behind where you start. Where are your JRPG instincts?

David: I never thought they’d do something like that RIGHT off the bat. What does the Heart of the Outsider do?

Dan: I think its description says it’s for item upgrades? I’m not really sure yet. I bet you can’t get the ultimate weapon now.

David: You’re killing me Sakaguchi!!! I might have to restart and go get it.

Dan: I doubt it’s that vital a treasure, but who knows?! There are generally two styles to introducing your characters and story. There’s the FF VII way where you’re a stranger like Cloud and you’re just getting introduced to everyone and their dynamics. Then there’s the way that The Last Story chooses to do things. Everyone already knows each other and has pre-determined relationships that you’re experiencing in media res, so to speak.

David: I think the FFVII way is the easiest for the story teller. Since you’re an outsider, everything needs to be explained to you. So explaining the game and the dynamics is natural.

Dan: Very true. I admit to being very confused upon first meeting this mercenary group. I didn’t know who I was, who all the players were, or what was going on. It was jarring, but I felt like I caught up fairly quickly. The establishing cutscene that showed after the first battle helped to flesh out the relationships. From my brief time with the game, here’s what I think about the characters:

Dagran – Cool as a cucumber. The almost chilly leader type we’ve all seen in anime.
Syrenne – Your typical brash, unrefined lady. She’s not there to talk pretty or mince words
Yurick – I honestly didn’t get much of his characterization in Chapter 1. He’s the mage.
Zael – Skipping ahead a little bit, he’s the guy who always has to protect everyone due to his inability to protect a certain loved one.

The fact that I could understand who most of these guys were in 30 minutes is both good and kind of worrisome for me. A lot of anime/JRPGs nowadays rarely get much deeper than, “This is the moody one.” What do you think of how cliched some of the characters to already be?

David: I did recognize a few anime/JRPG cliches. After the first battle, the game shows us a flashback of the group in a tavern and Dagran is explaining the job from Count Arganan. The flashback showed some girl in a jacket whose collar comes pretty high. She seemed like a really quiet and shy character and I instantly thought, oh, she’s just like Hinata Hyuga from Naruto.

Dan: I’m pretty sure she’ll end up being your usual quiet, emotionless girl to counter the loud Syrenne.

David: 20 bucks says she also has a crush on Zael.

Dan: We shall see!


David: So I think it was after the first battle that I went into the options menu and switched my fighting style to manual. Since you immediately switched to manual, let me tell you what I observed in normal. The way you attacked the enemy was just by running at them. And when you get close enough, Dagran would do his attacks and even combos. For me, switching to manual makes it a lot more fun and challenging. I’m not even sure yet how to do combos.

Dan: The combo issue is actually why I swapped back for now. Normal mode seemed to have little cinematic accents that I couldn’t recreate with buttons just yet. I swapped back and forth a few times during Ch. 1 and I don’t know where I’ll end up, but I’m set back to Normal mode now.

David: So after the battle and the cutscene, we’ve got control of Zael and androgynous Yurick, right? Any super rare items here? I didn’t see any.

Dan: I didn’t run into any other secret chambers along the way. I think at about this point they also introduce the Seek system or something like that. It lets you target certain things/objects/special points to complete a tactical action. In this case you had to choose how to handle some snipers. Destroy the bridge with magic or take them out yourself.

David: I chose magic, how about you?

Dan: The same. Seemed the most expedient solution. What do you think of this system layered on top of the battle system? Too much? I know when I had arrows and seek points and all of that it felt a little overwhelming.

David: I like it, but I keep forgetting about it too. When I enter seek mode, I’m immediately in sniper mindset and I want to snipe. I had a few issues where I was trying to snipe and the best decision was magic. Made me a little sad to give Yurick all the fun. I do like the system as a way of controlling your team members though.

Dan: I also really appreciated the tactical overview view that preceded battles from then on. Everything feels very tactical. Your party members are always hiding behind cover as they advance and they set up a flanking maneuver right off the bat. It still feels a little chaotic to me, but it’s also not out of control.

David: I did like how it felt when we’re running through the corridors and my teammates were jumping from cover to cover. It made me feel like an idiot just running straight through. I tried hiding from cover to cover, but it was just taking too long. So the first real tactical battle you see is the one after the first mini boss, where there’s a healing mage, a fire mage, and a couple of melee guys, right?

Dan: Yeah. Your instructions are to flank the group and shoot the mages with Wizard Arrows.

David: This point of the game really made me feel like the game was a mix between Tom Clancy’s Rainbow Six: Vegas 2 and something like Phantsy Star On-line: a hack and slash RPG, but you sneak around and breach the perimeter. It felt really cool. I did the suggested route where I sniped the healing mage in the head with the Wizard Slayer arrows. Did you do the same?

Dan: Yep, I was all over that. Flipping over as many blocks by running at them with block up. It was pretty epic.

David: I like that blocking only reduces the amount of damage taken. It really encourages the Dive feature. After taking out the mage, I started hacking at the melee guys. While doing so, I took notice of the fire mage’s casting counter and I just barely made it to him in time to hit him. In this game, hitting someone mid cast restarts their counter. I think this is also a neat feature. It also works both ways, so you need to protect Yurick while he/she is casting his/her spells.

Dan: Oh man, I did the exact same thing! I only saw one mage in the tactical view so I had no idea there was another guy lurking!

David: Did you notice how you can also display information about units with the “+” button?

Dan: Yeah, weaknesses and other info.

David: It’s useful, but in a real time fight, I’m having to focus between reading the info and dodging attacks. It makes me anxious, but I like that they make you feel anxious during a battle. In addition to trying to focus on these things, sometimes our party members start chatting away and that’s also distracting. I love it.


Dan: The story continues after the battle with the always stellar decision to split up. Naturally the bone piles reanimate forcing Zael and Syrenne to flee to a dead end where she is ignobly shot through the heart (and you’re too late!)

David: That’s why splitting up is NEVER a good idea. I just can’t take the whole splitting up idea. This scene where Syrenne is shot is very interesting actually. It had me wondering a lot how Sakaguchi would deal with the concept of death in the game. FFVII gets a lot of crap because throughout the whole game a party member can die in battle and you can just use a phoenix down to revive them, until… well, you know.

Dan: I’m so glad you went straight to FF VII, Dave, because the first thing I thought was, “Oh, is Sakaguchi trying to have an Aerith moment here?” and it’s just so, so perfect because I’m pretty sure he decided to make fun of FF VII by having Zael immediately gain the power to revive her and then DO JUST THAT! We’re not playing a Final Fantasy game, guys!

David: What does bother me is this: Some weird stuff happens that no one but Zael is there for. But then the gang shows up, your arm is all weird, you’re using strange light powers, and you bring Syrenne from the dead, and they don’t take a moment to ask “Wait, what just happened Zael?” They just kinda accept it and from then on just turn to you and say ‘Use that new power thing you’ve got’

Dan: “You only just got this thing and none of us understand what it is, but we know exactly what it can do without having to figure it out. Use your Gathering powers, dude!” I mean, it’s not exactly that bad, but it’s pretty bad. What worried me more was the flashback to the death of his mother and Zael’s inability to protect her. I guess this is the “big motivation” for our protagonist, but, man, it’s kind of been done…a bunch.

David: The use of the flashbacks is pretty cool so far. I’m expecting down the road we’ll see a lot more flashbacks, especially of Zael’s mom. Whenever you get around to flipping through the Art Gallery that came with the game, you’ll see there’s some designs on Zael’s mom, as well as Zael and Dragan as kids. I’m expecting some chapter of the game being dedicated to them as kids. I also guess that Dragan and Zael are childhood friends. We don’t know too much yet about their dynamics, but that’s my guess. Speaking of which, I want to start a group mutiny. Dragan appears to be the leader, but people listen to me in battle and I have cool powers, I think Zael should take over. First thing I’d do is make Yurick choose a gender and put Syrenne in rehab.

Dan: More importantly, like you said before, Dagran appears to be keeping secrets from the group. He seemed to know that there would be more to the Count’s mission than to just kill Reptids in the cave.

David: I almost forgot about that. He does some muttering here and there that makes you think that he knows more than you. It’s also never explained why the Count cares to have this area cleared, is it?

Dan: Not that I know of.


David: So what do you think of Zael’s newly acquired Gathering ability? It seems like the spirit gave it to him just because they both feel lonely, or something like that.

Dan: It lacks subtlety, but I’m absolutely in favor of mechanics as metaphor in games. Zael’s got those mommy issues that make him want to protect everyone and now he’s got a power that will enable him to sacrifice himself as much as his body will bear it. It lets him revive his friends too.

David: In a sense, that’s exactly what this power does. It’s really him taking all the aggro, all the damage onto himself. Both physically and emotionally. I like that you can only resurrect people a finite amount of times too. It definitely helps too when you’re trying to help Yurick cast his/her spells.

Dan: It’s the perfect ability for the party leader to have since it allows you to control enemy aggression. I like the mechanic.

David: That’s right Dagran! Step up to the plate! You’re slacking as a leader. Vote Zael for the 2012 elections!

Dan: What did you think of the first boss? I was still getting used to Gathering and I lost one of my five lives as Zael. How did you do?

David: Did you really? I was wondering something about that. Do the lives reset after every encounter? I had an idea of what I was supposed to do for the battle, and I was Gathering and running around for Yurick to use her/his magic. But it wasn’t until after a couple of spells that I realized nothing was really happening. I had forgotten to use the Seek ability to find his weakness. Surprise! It was the head. Once I got that, the rest was really simple, and really, scripted. I was curious about how Zael got back across the bridge after it was destroyed.

Dan: I think lives reset between encounters, so I’m interested in seeing just how hard this game can get. I think that my party lost maybe three lives over the entire chapter, but never in the same fight, so I dunno. As for the bridge question, I was wondering that too. One second he’s stranded across a chasm, the next, well, the next is Chapter 2.

David: We almost forgot to mention the summoning circle right before the boss. Did you use it? I used it once. It seems like you can use it multiple times to level up, but I’m not sure how many.

Dan: I think that The Last Story is supposed to be very scripted with limited battles as you move on through. That works out for a game that is meticulously tuned, but without any difficulty level options you’re pretty much stuck with what you’ve got…unless you can grind somehow. I think that’s what these circles are for. I want to try to not use them, but we’ll see. I used it once too.

David: I’m not one to turn down help. Thanks for the option Sakaguchi!

Dan: I think that’s about it for Chapter 1. Tune back in for Chapter 2. Will Syrenne get the help she desperately needs? Will Zael’s coup d’etat begin? How does Yurick accurately hit anything with only one eye?

David: Will Yurick get the money he/she needs for her/his sex change? Find out next time!

The Villains of Final Fantasy Week 10 [Game Overview]
Mar 6th, 2009 by Dan

Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.

With every Final Fantasy game there exists great (and not so great) teams of heroes bent on saving the world from some sort of evil force. While we could take a look at those heroes, let’s instead take a look at the evils that motivate these heroes to do what they do.

It should be noted that this feature will be full of spoilers.

Week 1 – Garland
Week 2 – Emperor Mateus of Palamecia
Week 3 – The Cloud of Darkness
Week 4 – Zeromus
Week 5 – Exdeath
Week 6 – Kefka
Week 7 – Sephiroth
Week 8 – Ultimecia
Week 9 – Necron

It’s time for the next generation, the next technological leap of Final Fantasy to its most recent platform, the PS2. With Final Fantasy X we finally achieved the cinematic storytelling goals Sakaguchi had been chasing so long thanks to one major innovation: voice acting. I’m not sure how well the Japanese vocal track worked, but let’s just say that some of the English voices, namely Tidus, Yuna, Lulu, and Khimari are just not that great.

Even with the voice acting of some of the principal characters being amateurish, the story really excelled. In fact, it’s the first Final Fantasy story I enjoyed post Final Fantasy VI. The basic gist of it is that Tidus has appeared in a new world called Spira where he accompanies Yuna on a pilgrimage to expel an ancient evil called Sin. Along the way Tidus learns that at the end of her quest, Yuna will have to die to complete the ritual, but that will only result in halting Sin until the next outbreak. What’s more, it seems that the person who silences Sin will become Sin after death.

There’s a lot more to it than that, namely with respect to where Tidus and his father, Jecht, come from, but it turns out that Jecht sacrificed himself to become Sin as part of Lord Braska’s ritual. This ultimately leads to a very dramatic confrontation between Tidus and his real bastard of a father during the final few bosses.

The actual final boss is Yu Yevon, the force that’s keeping Jecht in its thrall. All of this constitutes Sin, an ancient evil that terrorizes villages haphazardly, but it is not a conscious evil, it simply is and it simply destroys. The fact that the very people who have to stop Sin over and over eventually become Sin is what impresses me so much about this boss.

Evil Rating:

It does some major, major killing, but it really doesn’t know what it’s doing. It gets points for destruction, but avoids more points by being ignorant of it.


Cool Rating:

It does look like a slug that flies, but its also the reincarnated souls of the very people who stop it. Way cool.


Images and Video:




The Villains of Final Fantasy Week 9 [Game Overview]
Feb 27th, 2009 by Dan

Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.

With every Final Fantasy game there exists great (and not so great) teams of heroes bent on saving the world from some sort of evil force. While we could take a look at those heroes, let’s instead take a look at the evils that motivate these heroes to do what they do.

It should be noted that this feature will be full of spoilers.

Week 1 – Garland
Week 2 – Emperor Mateus of Palamecia
Week 3 – The Cloud of Darkness
Week 4 – Zeromus
Week 5 – Exdeath
Week 6 – Kefka
Week 7 – Sephiroth
Week 8 – Ultimecia

Now that we’ve moved past my least favorite Final Fantasy, we can talk about Sakaguchi’s swan song. Final Fantasy IX was a return to roots: a story about crystals, medieval technology, and cartoony characters. Unfortunately, the nostalgia-fest was not quite a return to SNES days of glory. The story was pretty unfocused and not all that interesting and if you didn’t play the first three of four Final Fantasy games, most of the jokes and references were totally lost on you.

Then there are the villains in the game. You have Kuja, a villain who subscribes to the Squall school of acting, Garland, a clear FF I reference, and the final boss Necron, basically a force of evil you’ve never seen before, kind of like the Cloud of Darkness.

So what can I even say about it?

Evil Rating:


Who knows?

Cool Rating:


The concept art is kind of cool…

Images and Video:



Sweet Concept Art

Sweet Concept Art

Game Overview: The Villains of Final Fantasy Week 1
Sep 19th, 2008 by Dan

Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.

With every Final Fantasy game there exists great (and not so great) teams of heroes bent on saving the world from some sort of evil force. While we could take a look at those heroes, let’s instead take a look at the evils that motivate these heroes to do what they do.

It should be noted that this feature will be full of spoilers.

Starting at the beginning, we have Garland/Chaos. After the Light Warriors defeated him in the present, he had the fiends send him 2000 years in the past where he became Chaos and sent the fiends to the present. Yes, it’s a confusing time loop, but this is what Sakaguchi wrote for his first RPG epic.

Unfortunately, that’s about the extent of the villain’s development, it being a rather primitive Final Fantasy game. Garland was supposedly a corrupted good knight too, but that’s about it.

Is he a good villain? Naw, not really. You see the guy twice in the game, once at the start, where he’s a tool that’s easily dispatched, and then once at the end of the game, where he transforms into Chaos and you kill him. He has much more of a presence and personality in Brian Clevinger’s 8-Bit Theater.

There’s not much to say about this one-dimensional villain, but without Garland, we wouldn’t have the other bosses of the future. We thank you Garland, for paving the way.


PSP Remake Sprite
Dissidia Concept Art
8-Bit Theater Garland
Chaos PSP Sprite

Battle Footage:



Sony/M$ E3: Carrying the Torch
Jul 17th, 2008 by Dan

Yoshinori Kitase has huge shoes to fill. As the producer of Final Fantasy XIII he’s looking at doing a job last held by Horonobu Sakaguchi in Final Fantasy X. Ok, Sakachuchi was technically the executive producer of that game, but with no other producers announced for XIII, I’m gonna come out and call him the EP.

Kitase had this to say (in this IGN article) about the new game and directions they’re taking:

Kitase spoke about carrying the Final Fantasy torch and commented on how this game will be unique, yet familiar. “In the grand scheme of things, Final Fantasy XIII is probably very different and new from anything you’ve seen in the series before. But, everybody on the team has played XII and the previous titles and there is an unseen connection there among the series.” He then went on to tell a story about a conversation with Hironobu Sakaguchi, creator of the Final Fantasy series. In it he asked Sakaguchi about what makes a Final Fantasy game a Final Fantasy game. Jokingly, Sakaguchi told him that as long as you have white text on a blue background, you should be fine. Final Fantasy XIII doesn’t have that, but Kitase says it’s still a continuation.

As funny as it is to mention the blue background thing, I think that a new direction is not a bad idea. FF games have, quite frankly, been getting a little stale for me of late. I worry a bit about XIII since its director is the same one from X-2 (Motomu Toriyama), but I’d like to see them stray.

One of the other cool things about the game was the mention of a different cast take with the character code-named Lightning. She supposedly is going to resist forming a party and try to be a loner. Hopefully she’s not a female version of one of those emo Squeenix protagonists, but it’s good to see that they won’t be partying from the get-go.

M$: Lost Odyssey Review
Jul 10th, 2008 by Dan

SPOILER ALERT: This review may contain story spoilers. Read at your own risk!

Sakaguchi’s new company Mistwalker has had its share of problems. For very perplexing reasons they chose to chiefly develop for the Xbox 360 with side development on the Nintendo DS. As a result, nothing they make for the home console, no matter how good, will ever sell all that well in their home country. His first 360 game, Blue Dragon, sold 200,000 copies in Japan, which may sound good at first, but when you look at Final Fantasy XII’s two million sales in Japan, a whole order of magnitude more, it suddenly doesn’t seem like Sakaguchi is getting a fair shake. In fact, both Blue Dragon and Lost Odyssey are no better or worse than a typical Square Enix game, but their sales are typically much lower, with Lost Odyssey only selling around 100,000 in the Land of the Rising Sun.

So now that I’ve more or less made it clear that LO is about as good as any Final Fantasy game, lets delve a bit deeper into it, because there are some differentiating aspects that actually out-Final-Fantasy Final Fantasy.

The Story

Some of the greatest buzz about the release of Lost Odyssey revolved around the fact that its story was penned by the famed novelist Kiyoshi Shigematsu. You’d be correct to be skeptical about this, bringing in outside, famous talent does not make a great story by default. So, does it fall flat on its face? Yes and no. The actual, plot-driven story is nothing you haven’t seen before. It’s about as Final Fantasy, clichéd of a story as you can find with an evil retainer, sorcerer dude who takes over a country, blah blah blah. I was able to predict most of the twists, which was disappointing, but there the real allure to the story comes from two things: the permise and the short stories.

Let’s start with the premise:

The main character, Kaim, is an immortal. He’s been around, as of the start of the game, for a thousand years. This factors into gameplay in a rather neat way, but also makes Kaim and his fellow immortals very compelling characters (unfortunately the only ones of the bunch). Kaim also suffers from amnesia (ugh…RPG cliché #1), but this actually informs and enhances our brand new gameplay mechanic: short stories.

What happens when you have an author write your story? You end up with short stories in your game. Depending on what part of the game you are in and what part of the map you walk by, you will trigger one of Kaim’s lost memories. These play out as breaks in gameplay as you read these expertly written short stories illustrating the various themes of the game. This is basically hell for gamers like my buddy Phil who hate gameplay interruptions like cutscenes, but for me these great little stories really flesh out the characters that would otherwise be pretty generic.

Lost Odyssey succeeds because its storytelling methods are so innovative and far-reaching. While the plot itself and its resolution is more or less mundane, the idea that these characters have literally been around for a thousand years and bring with them maturity and characterization to go with it makes for a satisfying experience.

Something should be said about the non-immortal cast though. Aside from Jansen, the rogue-ish comic relief (in personality, not in class. He’s a black mage), the mortal characters range from lame to downright irritating. The wonder twins, clear ripoffs of Palom and Porom from Final Fantasy IV, are the spunky girl that we’ve seen way too often and the shy, quiet, ANNOYING boy that comes from anime. Tolten is the whiny, un-confident, whiny (it needs to be said twice) king-in-training and Sed is just the uninspired grizzled old guy, although he’s the best of the riffraff.


This isn’t anything that radically different from any other turn-based RPG. You have the usual spells and techniques, with two small wrinkles.

The first of these gameplay differences comes from equippable rings. These rings that you equip can add effects to your attacks, from added effectiveness to enemy types to elements or status effects. In order to activate these effects, you must hold a trigger and time the intersection of two rings. Perfect alignment leads to higher damage or more probable status effects.

Immortals make up the next significant gameplay change. Since none of the immortals can die, according to the story, none of them can really die in battle either. If an enemy manages to fell one of your immortal characters, they will go down for about two turns, then automatically resurrect with close to half of their health. If everyone in your party happens to be down at the same time, you do lose the battle, but it’s a pretty nice to know that if an immortal goes down you can just wait it out. Tied into the immortal system is the way that skills are allocated to immortals. Partying with mortals allows immortals to “Skill Link” and learn the specialty skills of the rest of their party. These skills can then be implemented by the immortals at any time once learned, even if the mortals aren’t in the battle with them.

Like I said earlier, everything else is what you’d expect from a turn-based RPG, no surprises there.


If you thought that Sakaguchi did some beautiful work on the PS2, you ain’t seen nothing yet. The second of his 360 RPGs and the first to feature more realistic characters (Blue Dragon’s characters were more anime-like, created by Akira Toriyama), Lost Odyssey is about the most gorgeous game I’ve ever seen. I just got a hold of a new, large, 1080p-capable television, and let me tell you, it looks fantastic. Let me also say that it’s not perfect, especially due to the Unreal engine that’s so in vogue nowadays.

As an Unreal engine game, Lost Odyssey suffers from most of the same shortcomings of other games of its type. Load times are long, framerates are far, FAR from stable. The game frequently stutters and is sometimes unstable. In my 60 to 70 hours of gameplay, I had the game freeze on me at least twice. The beauty and flexibility of the Unreal engine comes at a real price, but at least its not like the typical dark, drab, brown shooters mostly put on the Unreal engine, there are some genuinely bright and colorful vistas and locales.


A close friend of Sakaguchi, Nobuo Uematsu composed the themes and music of Lost Odyssey, but he doesn’t do anything super-special in the score for this game. In fact, it’s more or less a forgettable soundtrack that I mostly kept turned down in favor of listening to my own music. Everything else is pretty crisp and clear, but the English voice cast is pretty boring and annoying. Lucky for you and anyone in auditory range, you can elect to listen to the Japanese voice cast, but you end up with odd lip syncing and subtitling since they are aligned to the English vocal track, not the Japanese one. This is disappointing to be in both video games and anime, since it means the subs cater to the dubs, meaning they aren’t translations, but transcriptions. The difference is subtle, but, like I said, disappointing.

Final Verdict

Final Fantasy XII was a pretty far departure from the typical Final Fantasy fare, with real-time combat, a different loot system, and a shift away from the more recent Final Fantasy narrative style. In a sense, Lost Odyssey is the true Final Fantasy XI. If that’s what you’re looking for, pick this game up. The concept and characterization of the immortals is spot on and the short stories really do flesh out the game’s story and make it stand apart. Lost Odyssey isn’t going to blow you away with its gameplay and story, it’s just gonna fill that RPG-shaped hole in your heart, especially if you only own an Xbox. While a bit lengthy for a rental, it’s more or less a one-playthrough event, so rent or buy used if this sounds appealing. It’s definitely a good game that’s worth playing if you can get your hands on it and love JRPGS.

M$: Squeenix RPGs on the Way / Sony: MG Week MGS Retrospective / Abbreviated Wednesday Morning Quarterback: FL Marlins Finally Overcoming Slump?
Jun 11th, 2008 by Dan

We interrupt your regularly scheduled sports updates to bring you trailers of three Square Enix announced RPGs for the Xbox 360:

The first is The Last Remnant:

Next we have Star Ocean 4 (AKA Star Ocean: The Last Hope):

And last we have Infinite Undiscovery:Of the three, The Last Remnant impresses and attracts me the most. Star Ocean has never really been a franchise that calls to me, but it also looks kind of neat. Infinite Undiscovery, on top of being an Action RPG (confirmed by IGN), seems to have pretty weak production values compared to the other two. Granted, Star Ocean didn’t really show any in-game footage, but its pre-rendered stuff looked better too. Maybe Infinite Undiscovery is always running in-engine?

All of these games are being released “For the Xbox,” but Square Enix has been relatively dodgy on the question of exclusivity with some games and I think they’ve even confirmed that PS3 versions would hit at some point with others (I’d have to go check and, well, I don’t care that much. The implications are clear though: Square Enix wants a greater market share. There could even be some Sakaguchi animosity hidden beneath their decision, since he’s more or less enjoyed a monopoly on the Xbox 360 JRPG market.

In other gaming news, Metal Gear Solid 4 comes out tomorrow! Two new MG Retrospectives have come out since I last wrote about them:

Part 4:

Part 5:

And last, some sports news:

Hanley Ramirez has finally been swinging that bat and knocking the ball over the fence. The past few games have seen his homerun count put him in the top 25, last I checked. Keep it up buddy.

This current series with the Phillies will be a vital test for the Marlins. With the Phils in 1st place, each game we lose will push us further away from the coveted top spot. We started out strong last night with a 5-4 win. Let’s keep it up for the next two.

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