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I don’t think it’s possible for you all to understand how pumped I am for baseball to come back this year. It’s been a long, hard offseason, but spring training is off the ground and I’m super pumped.
Movies
Higher Ground – Vera Farmiga (and her sister Taissa) stars in this intelligent movie about a woman constantly seeking religion, but unable to arrive at the faith and two-way relationship she so desperately craves. It’s beautiful and slow and it’s fantastic work by Farmiga.
What’s Your Number – Oh, the things we do for love. Seeking something to watch together, Tiffany and I stumbled upon Anna Faris’ ill-received romantic comedy that is simultaneously all about slut shaming and also about finding love before your friends continue to slut shame you. I’m injecting way more importance into this light, breezy romantic comedy than it deserves. As far as these types of movies go, you could find worse. It’s alright.
TV
The Walking Dead – So tired of the non-zombie plots. “Waaah waah, I’m suicidal! Waaah.” Pretty sure they’re setting up a mega-swarm headed to the farm. Not sure.
Life’s Too Short – The tumor stuff was predictable, but funny. I don’t think the Johnny Depp stuff was half as good as the Liam Neeson stuff from last week.
Parks and Recreation – Ginuwine jokes, haha. Oh man, the part where he read out the image URL for Leslie’s campaign poster! The water fountain visual gag was also hilarious.
Up All Night – The stuff with the godparents reminds me of David since Eric just had his baby. Steven Pasquale was pretty hilarious in his Army vet role.
Justified – Not every episode has to be super exciting/awesome. Still some good acting in this episode, but not as sharp as the rest of the season has been.
Archer – “You make me sound like some kind of chubacabra, but for dicks.” Pretty good ep.
Portlandia – The Eddie Vedder tattoo stuff was brilliant. About 1/3 of the Battlestar Galactica sketch (featuring James Callis, Edward James Olmos, and (the real) Ronald D. Moore) was excellent as well, but it strongly relies on you knowing what Ronald D. Moore looks like (Hint: He’s not the guy who played Adama or Baltar and he’s not the guy with his name.)
Houston Astros at Washington Nationals – Stephen Strasburg’s curveball looked sharp. It was missing a little bit of placement, but otherwise looking great. Too bad Tom Gorzelanny came in and stunk up the joint. Still, baseball! Spring training!
Music
Rhythm Heaven Games – Go out there and get your hands on Rhythm Heaven soundtracks. The music from these games is super catchy and fun and I’m pretty sure they include perfect versions of the songs that have all of the sound effects in them.
Books
The Girl With the Dragon Tattoo – I swear I’m making progress, guys. I really am! He’s actually working with Lisbeth now. It took half the book to get them there!
Video Games
Devil Survivor 2 – Devil Survivor was one of the best DS TRPGs (or normal RPG or games) out there and DS2 is more of the same. New characters, broader setting…I dig it. So much so that it’s supplanted…
Ghost Trick – Used to have a steady slot in my DS, but I’ve sidelined it for a little DS2 action. Gotta finish it because I’m nearly done, but DS2 is sooo fun.
The Old Republic – Nothing like getting a little Bounty Hunting in, but the stupid TOR people haven’t announced the legacy stuff so I’m at a stalemate with getting more playtime in with Min.
Doesn't get much better than being portrayed by Brad Pitt in a movie. (Photo courtesy nsusco)
It’s fitting that I watched a movie about baseball considering how much baseball I also watched this weekend. Had to watch to support the Rays. They’ve got three games to make up a one game deficit. You can do it, Tampa Bay!
Moneyball – Not too bad at all. We’re not talking “the best baseball movie ever” or anything, but it was enjoyable. It’s always nice to see a good baseball movie. I didn’t love the stylized baseball shots with the all black backdrops (looked kind of cheap), but it was still lots of fun. Seeing Chris Pratt (Andy from Parks and Recreation) play a more serious dramatic role (but still kind of comedic) was really neat. I liked it, but I’m glad I saw it with Ryan. Tiffany would have hated it.
Up All Night – This show is actually pretty neat. Will Arnett and Christina Applegate make a good pairing for a show about an unplanned baby that they do genuinely love, even if they haven’t figured out how to integrate it into their lives yet. I’ve got another episode waiting on the DVR to get around to sometime this week. It’s not nailing it yet, but it’s good enough that I’ll give it a few more episodes.
Top Gear – Saw both last week and this week’s eps and the guys turned cars into trains to pull cars down the tracks. It was pretty hilarious. The demolitions competition at the end of this week’s was pretty cool too.
Talking Funny – I kind of wish they had a woman on the panel too. I mean, what’s that say when you’re advertising your special as a look at comedy from the who’s who of the biz, but you don’t have any women on the panel? Ricky Gervais was the most “intellectual” of the bunch (almost to pretension) and Seinfeld was the purest, most “elemental”. I wish Chris Rock said more and I thought Louie C.K. was among the funnier of the four.
How I Met Your Mother – The worst part of any episode remains any time Ted is on screen. I don’t know if the writers get that his pretentiousness is super off-putting, but it’s kind of terrible. There were definitely some funny moments in the first disc (I’m catching up on Season 5), but, while I like the show, I don’t love it. ESPECIALLY when Ted is on screen
2 Broke Girls – This was decent. I mean, it’s a totally safe sitcom being mostly carried by Kat Dennings, but I like Kat Dennings, so I’ll give it two or three more episodes. Wait, did I say safe? Definitely a decent amount of jokes about semen, orgasms, and exchanges like “You’re getting me wet.” “That’s the point.” It seems kind of edgy for 2130 on CBS, I guess, but definitely not that edgy compared to other stuff I watch. I like the gimmick with the money raised counter at the end. Reminds me of a reverse Battlestar Galactica.
Weeds – They totally had a Vonnegut reference in there (“So it goes.”), but there’s so much going on and unresolved with only one episode left that I’m at a loss to see how they end it effectively. It’s been a good season with the budding rivalry between her and Silas growing, but I worry about how it can have a satisfactory ending with only 30 mins to go.
Extra Hot Great – One of my favorite podcasts, Extra Hot Great did a Fall TV preview this week that was funny and cool, per usual. Their mixing things up for Game Time for the next few episodes since Joe clinched the crown. This is definitely a great podcast to listen to if you’re into pop culture stuff (specifically TV and movies).
Reamde – Neal Stephenson’s latest hit shelves this past week. So far so good. It’s got a lot of Stepehnson elements (obsession with guns/weapons), but hasn’t had any of his stereotypical nerdiness yet. Mentions of twitter/facebook/wikipedia kind of date the book, but, at the same time, I think that’s kind of what he’s going for.
(AHOY, THAR BE COMICS AHEAD!)
SI: Cloak and Dagger – Just gorgeous art and fantastic writing. Comic books like this remind me why it’s worth spending my money on them. Just beautiful.
Daredevil – Not as good as the first three, but still quite good. The cliffhanger panel is killer awesome.
The Red Wing – A very interesting premise with the traveling across dimensions too. The way the pilots explode across time when they’re destroyed remains the most striking image in this book.
SI: Spider-Woman – Didn’t really do it for me. Not that interesting.
Ultimate Comics Hawkeye – Good, but not great. I still feel like Hawkeye as a character is almost non-existent
Wonder Woman – So popular this week that I had to buy it digitally (sold out in all other formats). It was a good book with neat art (I love how Chiang draws Diana as full-figured/muscular) and I hope they continue with the Greek mythology bit because that will lead to great horror comics. Greek gods and their mythology are among the most interesting, graphic, and crazy sources for stories out there.
SO MUCH GEARS OF WAR 3 – Tons of it. Still so much fun. I can’t wait for Min to be done with his schoolwork.
Left 4 Dead 2 – Dave and I finally finished all of the main story campaigns in this. We might go back and do some other extras, but for now I think we’re done. Lots of fun.
Resident Evil 5 – Back playing this. I miss actually having to buy and upgrade weapons, but it’s still tons of fun. Glad I’m playing this again. It’s insane and super fun.
I’m gonna stick to tv here, but this is a general purpose post, really. Remember in the early aughts when the death of modern tv was imminent due to reality tv? Original programming was over! Reality tv was so cheap and got such high ratings that soon we’d all be watching The Bachelor, Survivor, and American Idol 24/7!
What happened instead? Nothing, really. There’s a smaller field of original programming, I suppose, but I think that allows networks to focus on fewer, higher quality shows. I mean, think of all the great tv that has happened since the end was near:
Lost, Mad Men, The Office, 30 Rock, Arrested Development, Battlestar Galactica, Justified, Community, Parks and Recreation. I could go on, but I won’t. Clearly we overreacted. These shows alone represent hours upon hours of quality television to watch. Networks had to deal with risings costs and lower revenues due to piracy, time shifting, and other innovations, but they still made things work on a tighter budget.
Next time you’re worried that something’s about to be irrevocably changed for the worst, remember that people like quality, despite evidence to the contrary. What comes out of the rubble may not be exactly the same, but it can still be good.
You’ll notice that this list is weighted heavily toward the end of the decade rather than the early part and that’s all because I didn’t watch much tv in high school (2000-2004). The list is also pretty small because I didn’t have access to most tv shows during my years at the university unless I went and bought box sets (2004-2008).
Firefly
It may have come out early in the decade, but I was way late to the party, since I first started watching Firefly during the summer of 2008. I’m not what you’d call a Whedonite. To this day I’ve never seen an episode of Buffy or Angel, but, between Firefly (and Serenity) and Dr. Horrible’s Sing-Along Blog, I’ve come to see that he’s a damn good writer capable of creating interesting worlds filled with great characters. Firefly is definitely not the first space opera to hit the airwaves, but it’s definitely one of the few I’ve ever seen to focus on fringe members of society like Captain Reynolds instead of prestigious members of an organized army. The world of Firefly is not that different from ours, save for space, and it feels like an accurate representation of what space would be like in its exploratory infancy. If the wild west was possible on Earth, it seems more than likely that the space frontier would develop similarly. Firefly makes me happy because the crew is amazing. Each character (…minus Simon) is interesting, well acted, and hilarious at any given time. FOX did the world wrong by canceling this show and bringing back Family Guy
Arrested Development
Once in a while a great show comes along that revolutionizes the way you experience television for the rest of your life. Arrested Development is that show for me. I didn’t start watching until the third season (final) was set to start, but I fell in love with the show from the first zany episode. One of the leaders in the recent American movement to serialized television, Arrested Development is probably the first serialized comedy I’ve ever seen and that may have been its downfall. Rather than go with the typical American sitcom style of status quo ante episodes and unrelated plots, Arrested Development episodes depended and borrowed heavily from every episode that preceded it, a trait that blocked out potential future viewers who felt like they were continuously out of the loop with the jokes. Those of us who were in on the joke loved experiencing every minute of the Bluth Family’s fall from grace in this show that proves that smart comedy can be hilarious. Unfortunately, it also proved that smart comedy doesn’t sell. FOX canceled it during its third season, tragically ending the best show I’ve ever seen in my adult life.
Lost
4, 8, 15, 16, 23, and 42. Oceanic Flight 815. The DHARMA Initiative. The Others. Jacob. The Smoke Monster. If you know what any of these things are, you know something about the best drama of the decade. I initially avoided Lost because of all the hype. If that seems petty and stupid, that’s because it is. People hear a lot about the show and how it never seems to answer questions or come to any satisfying conclusion, but I think that’s the talk of people unused to these long, serial dramas and the pace at which they move. Of course, ABC wasn’t helping any with the pacing when they were refusing to give the creators a firm end date. Lucky for us, the staff held their ground and told ABC they wouldn’t continue the show without a firm end date. Since then, things have moved along briskly (if confusingly) as the cast tumbles toward the dramatic conclusion of the most puzzling show of the decade. Will we all be satisfied by the ending when it airs in 2010? Expectations are running high, but I’m trying to keep mine neutral to low so that I’m able to enjoy the ending they’ve got planned for us. So long as it doesn’t go out like The Sopranos, I’m game.
The Office (US)
Bringing hit shows to America from across the pond doesn’t guarantee success. The television environment in the UK is just too different for that. Many of the best shows are extremely limited in scope and know when they’ve run their course. The original run of The Office in England comprised 12 episodes over two seasons and one two-part Christmas special. Within two seasons The Office (US) surpassed the episode count of its parent and finally managed to come into its own identity. No longer borrowing from its roots, The Office has stumbled here or there and struggled with the Homer Simpson effect (as I like to call it), but overall blossomed into a fine show all its own with a much happier outlook that reflects American tastes more than anything. Beyond that, Steve Carell has emerged as one of the premier comedy actors in the business thanks to his ability to express very human pathos into his comedic roles. While I personally think that NBC shouldn’t push the show beyond next season, it’s certainly been a funny ride so far.
Extras
While we’re already talking about shows written/created by Ricky Gervais and Stephen Merchant, we may as well progress to the fantastic look at the life of a television/movie extra as told by Ricky Gervais. It’s unclear to me how much of the story is auto-biographical, but one can’t help but get a peek into the difficulties that Gervais must have faced trying to earn notoriety and bring The Office to television while also getting a glimpse into how different The Office could have been if Gervais and Merchant didn’t keep their standards up while chasing fame. Spoiler alert, but the first season deals with Gervais’ character, Andy Millman, and his struggle to both sell his idea for a show (a blue-collar workplace comedy with an obnoxious boss (ring any bells?)) and gain notoriety. Each episode features a cameo by a known (usually) British star in film or television as an exaggerated version of themselves and Andy eventually gains enough attention from the BBC to produce his show. Unfortunately, they turn it into a laugh track, lowest common denominator comedy to attract the highest audience possible and Andy continues to compromise his vision just to hold onto the scraps of fame that he has gained. It’s a sad story with a slightly uplifting ending that’s absolutely worth watching for no reason other than to see Orlando Bloom act like a self-centered jerk who hates Jonny Depp.
Weeds
This show has really gone and changed from year to year. What started as a satire on suburban misery has really ballooned into a far-reaching comedy tackling some seriously complex issues (maternity, masculinity vs. feminism, maturity, rape, murder, addiction, etc.) without ever getting too dark for too long. Just watching the opening shows how much the show has changed, since “Little Boxes” hasn’t played past season 3 when they, spoiler alert, burned down everything you knew and moved on. While some of the stereotyping jokes have gotten a little old (WE GET IT, SANJAY IS GAY! HAHAHA….MOVE ON), the show does still seem relevant and interesting in its fifth season and the most intriguing developments seem to come where you least expect it: from Nancy’s kids. Let’s hope that the show continues strong into 2010 with some fresh, interesting plotlines as Nancy delves deeper and deeper into a world she used to only scratch the surface of. It’d be nice to see Conrad again too…Extra bonus reason to watch: Mary-Louise Parker is seriously hot for an older lady.
30 Rock
I almost missed the boat on 30 Rock. iTunes gave me one free episode (the one where Jack things Liz is a lesbian) and I thought “Good, but not great” and didn’t watch through the rest of the first season. The critical buzz brought me back for season two and I fell in love with the show. Tina Fey and Alec Baldwin are comedic powerhouses in this, the second best comedy of the ’00s. In fact, 30 Rock and this most recent presidential election have both proved that Tina Fey was probably the only funny thing about SNL when she was still head writer while Mean Girls proved that she’s just plain good at writing. 30 Rock is brilliant in its subversive, but fair humor and takes the best parts of Tina Fey’s improv heritage and applies them to a sitcom that will have you guffawing every episode unless you lack a soul. It’s a must watch.
Dexter
I love shows that take place in Miami. More than that, I love shows that are unique in premise. Cop shows are a dime a dozen. Shows where the main character is the real villain are harder to come by. If you’ve been living under a rock, you don’t know that Dexter is about a cop who is also a serial killer. It’s not a unique plot in movies/literature/comic books, but it’s one of the few times I’ve seen it on tv and I love it. Dexter Morgan is a sociopath struggling with living with the urges that drive him to kill and staying out of the electric chair. The first season was based heavily on the book Darkly Dreaming Dexter by Jeff Lindsay, but subsequent seasons have had more creative freedom to mold Dexter beyond Lindsay’s strict characterization. I’m a little behind on seasons 3 and the current season, but I feel like the character is maturing rather nicely, if not a little unrealistically (he seems to exhibit more feeling than a sociopath should, but I’m no expert) and the show usually brings me back for more each season.
Pushing Daisies
Bryan Fuller had a great premise on his hands. Ned, the piemaker, could touch dead things back to life, but the renewed life had two rules: If he touched them a second time, they were dead forever and if he let them live longer than a minute, another life would be taken in its place. Abandoned by his father and harboring a power he does not really appreciate, Ned grows up to be a rather distant man who doesn’t let anyone get too close to him. He also teams up with a private detective, Emerson Cod, to solve murders once Emerson spots him using his powers. The status quo he develops (baking pies using rotten fruit that he brings back to life and solving murders for the reward money) comes crashing down when he revives a childhood sweetheart that was his one true love. While the show is often too sweet for its own good, the development of its themes of affection and intimacy (without touching, of course) are both interesting and well done. The storylines were clever and the show was funny, but it was ultimately too expensive to produce for the limited ratings it received and the show died before giving the viewers true resolution with all of its dangling plot threads. Worth watching because it is the most unique show of the decade.
Honorable Mention: Battlestar Galactica
There was so much promise here. The first two seasons of BSG were the best sci-fi I’d seen on television. How can you screw up the paranoia of the Cylon threat and the powerful storylines about a race driven to the brink of extinction? I’ll tell you how: haphazard decisions and haughty religious overtones. The Final Five were not decided upon when the show began. As I heard it, they shoehorned cylon origins onto characters who they never intended to make cylons and the see-sawing quality of the final episodes make that very apparent. When you combine that with one of the stupidest finales in the history of television (let’s just say it goes something like “A long time ago in a galaxy far, far away…”) you’ve gone and ruined what could have been the most significant show in recent science fiction history.
EDIT:
How did I forget The Wire?
The best police serial I have EVER seen. It deconstructs everything you know about television cop dramas by showing you both sides of the fence and the reality that good almost never triumphs over evil. David Simon must have really been affected by his days in Baltimore, because this love letter to the city tells the truth, giant warts and all, about how drugs have destroyed Baltimore and how the police are rendered powerless by bureaucracy to do much of anything about it. The show is a bit of a downer, but the acting is superb and the plotlines (save for one that I really hated in Season 5), will keep you interested through the five seasons. This show is a must watch.
Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.
I was originally just going to post another video and not write anything, but then I realized that there was Left 4 Dead 2 news this week and I couldn’t let another week go by without mentioning the game (did you know I’m excited about its release?).
Obvious, but nice to hear…
When releases are imminent, people get impatient and want to know what’s coming next. When asked about Harmonix’s plans for next year, the question revolved around whether it would be another iteration in the Rock Band series or another band-style game like The Beatles: Rock Band. In typical PR fashion, Harmonix reps said that both were in the works and both might see the light of day next year. Way to be specific guys! You mean you’re working on another project that would capitalize on the success of your previous projects? Where do they get some of these questions?
I answer my own question with the excitement I feel in hearing about new games in the franchise.
I’m like Tiresias!
Ok, so I didn’t really predict these things and I heard them from the rumor mill, but I was right about all the WoW rumors I reported on last week. Go me!
Starcraft II News Bundle
Blizzcon was last weekend and, naturally, we have a lot of Starcraft II news to report on (we also have plenty of Diablo III and WoW stuff to say, but I don’t really care about those games, so…). The biggest news, for me, involved the new Battle.Net and the innovations behind creating one of the most interesting backends for games since Steam.
Rather like Steam, the goal of the new Battle.Net is to integrate Blizzard’s multiple properties and keep players connected. An instant messaging client will be a part of this new service and it will allow you to see what people on your friends list are doing in other Blizzard games, including World of Warcraft, allowing you to chat from within the game with people playing Starcraft or Diablo. The WoW achievements are also due for a slight upgrade to sync with the more general Blizzard achievement system that’s being created so that every character doesn’t have to go out and earn achievements on its own.
Another interesting innovation has to come from Activision. The aforementioned monetization of the service will make its debut as a Custom Maps marketplace. No more will players play free mods like Defense of the Ancients and love them. Now they’ll be forced to buy certain custom maps to enjoy their non-core gameplay.
In non-B.Net-related news, it was announced that the new voice for Sarah Kerrigan will be Tricia Helfer, whose last work was the little known project Battlestar Galactica. The former Cylon will be taking up the mantle of Queen of Blades for the foreseeable future, which is pretty awesome. She’s really got the commanding, scary voice down when she was Six on BSG.
Last, but not least, Blizzard has announced that Starcraft II can be played offline. Not the multiplayer, mind you, which requires an internet connection, even if played locally, but the single-player. You’ll be able to opt out of logging in, but you’ll lose out on all of the B.Net goodies. Your choice.
Did you really expect anything different?
Wii Sports Resort has crossed the million sales mark in Japan…and America…and Europe. It’s only been a few weeks, but man, that’s incredible. Way to go Nintendo!
Shepard?
If you love Mass Effect as much as I do, then you’re probably super excited to see the latest DLC, called Pinnacle Station, added to the game.
In what will probably be the last DLC pack for the series, you can now head to a space station and battle against the clock to set records, etc. and earn achievement points. Combat is nice, but it’s not really the focus of Mass Effect, is it?
Glad to see more content added to the universe! Can’t wait for ME2.
Another ban story
Out in Venezuela they don’t like objectionable content hitting the eyes of their children. Despite the violent and damn near despotic and tyrannical things that come out of the mouth of Hugo Chavez, the government is concerned with the sale of toy weapons and violent video games.
Should this ban pass, Venezuelans would have no access to toy weapons, which can be used to fake robberies, etc., nor would their people be subject to the corrupting forces of video games. Way to go guys, you’re really focusing on what matters.
You asked for it! Well, I did…
And here’s your weekly L4D2 news! Valve will make playable the creepy fair level, now called Dark Carnival, at PAX next week! Yeah, I wrote the previous 800 words just to talk about a playable level. What can I say? I love L4D2!
If that’s not enough, you can check out some sweet concept art at Kotaku.
Let’s close with another recent obsession of mine, The Beatles: Rock Band!