Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.
Due to some poor life decisions, I find myself stranded for five weeks without any video games. What’s a guy to do, right? Well, rather than just giving you some of the headlines from the week’s video game news in lieu of what I was planning to be gameplay impressions, reviews, and the like, I’ve instead started a five week “All-Stars” feature. Each week we’re going to look at a video game era and spotlight my top three games from that era. Each of these games will also receive a place setting at the prestigious “Table of Honor” feature that I’m working on. Here’s the weekly plan:
Yeah, the categories are broad, particularly weeks three and four, but it’s how I want to do them, so get off my back!
The 16-bit era may have refined the gameplay of each generation prior to it, true modern game design didn’t officially begin until the release of the post-16-bit consoles with their 3-D capable processors. We’ll just pretend that Star Fox didn’t exist on the SNES for the sake of this point, but even if we do allow it, the 3-D effects in Star Fox, or on any system prior to the SNES, were primitive at best. The first real 3-D game with any influence on modern 3-D games was the launch title of the Nintendo 64, Super Mario 64. Everything from camera control to hub world design has been more or less ripped from this first, pioneering game to just about any other 3-D platformer and the conventions set forth by SM64 were even adopted by genres as distinctly different as RPGs.
Also debuting with the Nintendo 64 was analog control on the home console. Mario was able to walk or run dynamically based on how much pressure was applied to the control stick, and other companies took notice. Within a year or so, the Sony Playstation had its own dual analog stick control (two makes it better!), which initially seemed like a rip off, but was brilliant in conception as the second control stick allowed for the natural progression of the camera buttons into the camera stick. Dual analog controls led to the current incarnations of the console first-person shooter and the genre’s best attempt at mimicking the pinpoint precision of mouse and keyboard FPS control. Voice acting became prominent as developers moved away from cartridge media (some more begrudgingly than others :cough: Nintendo :cough:) onto the more spacious disc-based CDs and DVDs. In fact, games and gaming matured into the more cinematic experience we now enjoy based on the power increases this generation.
Surprisingly enough, the company that had been synonymous with the video game, Nintendo, faded into virtual obscurity with the Playstation replacing it as the industry leader. Late in this time period, we saw also saw the launch of the Microsoft Xbox and as we laughed at the bulky design, gigantic controllers, and relative lack of games available, save Halo (which I will go on record as saying I don’t really care for), Microsoft cooly and stealthy maneuvered into first place in terms of HD systems with its next console launch.
We’re getting ahead of ourselves with that last point, so let’s get back to the list. Our third place game takes place a long time ago in a galaxy far, far away…you meatbag. A blast from the past in taking place a whole 4,000 years before A New Hope, it’s Star Wars: Knights of the Old Republic.
#3 Star Wars: Knights of the Old Republic
Lucasarts knows one thing is constant about its fanbase: they will consume just about any piece of Star Wars-related media that they throw out there and that attention to detail is commonly expressed through the many mediocre video games that the company puts out. While the series has actually enjoyed a number of stellar titles, the prequel video game blitz had been taking its toll on consumers as the property was overexposed and not with a bevy of AAA titles.
Enter BioWare, a company you wouldn’t typically associate with the sci-fi genre (back then). They were best know, at this point, for Neverwinter Nights, a D&D-based dungeon crawling RPG, and Baldur’s Gate, another D&D based fantasy RPG. These are very highly regarded titles to this date, as old as they are, but I know many of us couldn’t help but wonder about how Knights of the Old Republic would turn out.
Not being a company to stray from what they do well, KotOR’s battle system is essentially a turn-based RPG based on, what do you know?, the third edition of Dungeons & Dragons. The interesting part about the engine is that it defaults to a game that is very much not turn-based. You can input commands for the character to carry out in their next “turn”, but the turns were relatively seamlessly hidden from the player, making it appear that the non-queued actions were being carried out on the fly. Couple this interesting and actually well-orchestrated battle mechanic with the ability to wield a one-handed or two-handed lightsaber or dual-wield one-handed lightsabers, throw in a couple of force powers, including that evil lightning thing that the Emperor does, and you had fanboys frothing at the mouth to get their hands on this game.
Which brings us to the story, which was, rather unlike the Lucas-penned prequels, nothing short of amazing. As mentioned before, our story begins 4,000 before A New Hope and two mega-powerful Sith Lords, Darth Revan and Darth Malak, were wreaking havoc on the Republic, as Sith Lords are wont to do. The Republic is able to decommission Revan, thanks to the powerful Jedi Knight Bastila Shan, but Malak was still out there terrorizing systems with vast resources at his disposal of a mysterious source.
So what does this have to do with you, the Player Character? First, you have to decide on a couple of things: your name, gender, appearance, you know, the basics, then you’re plopped right onto a Republic ship of some sort that Malak is assaulting to get his hands on Bastila. You meet up with Carh Onasi, Bastila escapes on to the surface somewhere, and you and Carth head down to the planet yourselves to look for her, starting your adventure. The greatest part about this narrative though is that you can partially control its direction. Many of the quests and sidequests have multiple solutions based on decisions that will affect your alignment. What’s this alignment deal? It’s the core of the Star Wars existence, Light Side and Dark Side. Basically, your decisions will net you Light or Dark points that will determine which force abilities your character eventually has available to him/her. Helping people out generally nets you Light points. Helping someone out, getting your reward, then killing all of the parties involved and looting their corpses usually nets you Dark side points. While the game lets you officially decide on your ending in a dialog tree near the finale, these actions that your character undertakes will affect the way your avatar is displayed on screen and the way that characters interact with the player character. Someone like the hilarious and very evil droid HK-47 will applaud the taking of innocent life, guilty life, uninvolved life, etc., but a goody two shoes like Bastila or Carth will be a quite the buzz kill as they criticize the mass murders you may choose to commit.
Speaking of characters, the batch in this game are about as good an ensemble cast as you can find. Sure, Mission Vao, T3-M4, and Juhani aren’t that interesting, but the rest of the cast delivers it strong, with HK-47’s performance making him the stand-out character in the entire Star Wars Universe for me (followed by the eminent Grand Admiral Thrawn (AKA Mitth’raw’nuruodo) and the super-cool Mara Jade and Talon Karrde (can you tell I love Zahn’s Expanded Universe books?)).
“Definition: Love is making a shot to the knees of a target 120 kilometers away using an Aratech sniper rifle with a tri-light scope…Love is knowing your target, putting them in your targeting reticule, and together, achieving a singular purpose against statistically long odds.”
Yeah, he’s that awesome.
All of this great characterization and gameplay would be for naught if BioWare hadn’t come up with an equally awesome plot for our beloved player character to run through. The tale relies very heavily on the plot twist that SPOILER ALERTyou are Darth Revan/SPOILER ALERT and that the battle where you were supposedly killed resulted in you simply being captured and the Jedi Order reprogramming your mind. This overarching story of the Star Forge combined with the mini-sagas taking place on each planet make for an excellent narrative structure that BioWare continues to implement in its other AAA sci-fi epic Mass Effect.
KotOR is probably the best Star Wars game I’ve ever played and among the top-notch RPGs I’ve ever played (rare for a Western RPG!). If you’ve never played it, you can pick it up for either the original Xbox or just play a slightly enhanced version for the PC or Mac. What are you waiting for? Go play it or I’ll send HK-47 after you!
Here’s some great HK-47 video, but beware, they contains spoilers (also, the second is from KotOR 2)
This next game will probably be the most controversial entry among all of the games I’ve elevated to this position. I’ll give you a few hints:
1. Its unveiling followed a proof of concept video shown at a prior trade show that was considered to be much cooler than the final product
2. Regardless of your opinion on this iteration in the series, it’s generally accepted that this game blows
#2 The Legend of Zelda: The Wind Waker
I’m sure a good chunk of the Zelda fans out there are wondering “Why Wind Waker? Doesn’t Twilight Princess qualify for this era?”
Yes, Twilight Princess does qualify for this era. Unfortunately, I think it’s uninspired and it suffers from lack of cohesive focus. When I played TP I felt like I was going through the motions to complete what was supposed to be an awesome game. It was definitely a more mature story and arguably slightly more interesting in execution, but it just felt lifeless and like Nintendo was just cranking out a mature LoZ title just to appease the fans after Wind Waker. Miyamoto genuinely thought that Wind Waker was a great game and I think he was seriously affected by the US fan backlash over what he felt was where the Zelda series should live. It kind of reminds me of Metal Gear Solid 2. Taken from a rather biased article written by Jeremy Parish of 1up.com, I found this quote:
“Kojima supposedly once said of Metal Gear Solid 2, ‘This is my Metal Gear. If it is to be destroyed, I will do it my way.’”
Parish admits directly after the statement that this quotation is probably apocryphal, but the general idea is still there. In Japan Kojima didn’t bother to hide that Raiden was the main character because he knew they wouldn’t mind him so much. In the states, Raiden does not have a very good reputation and a lot of gamers were upset about being duped.
This bait-and-switch happened to a much lesser degree with Wind Waker. Back in Spaceworld 2000, the aforementioned proof-of-concept video was shown.
This is what people began to expect from the next Zelda game. Miyamoto, perhaps remembering that Zelda was based on his childhood adventures in the countryside, seemed to want to bring Zelda back to its more innocent roots. The art style of WW is strongly reminiscent of A Link to the Past and the atmosphere is much less serious at times than that of Ocarina of Time (which is also amazing, but just doesn’t make the list, I like this one more).
The moral of the story: don’t make Miyamoto do what he doesn’t want to do. Otherwise you end up with a soulless game like TP instead of WW.
Speaking of WW, the game starts off by tying back to the Ocarina of Time, but this is definitely not the Hyrule that you once knew. In fact, it’s not even really Hyrule at all. The people of this world live on islands within the Great Sea. After your sister is kidnapped for looking too much like Zelda, you set out with some pirates to save her. Along the way you get a boat, explore dungeons, etc. Typical Zelda fare.
The story does get good though, as you eventually discover that the pirate captain you’ve been gallivanting with on occasion is actually the reincarnation of Princess Zelda, holder of the Triforce of Wisdom! You, naturally are the reincarnation of Dan (what? I always rename Link), so you’ve got the Triforce of Courage. This leaves the Triforce of Power, which, as always, is in the possession of the evil Ganondorf. You discover your true identities underwater in the game’s surprise twist. It’s unclear precisely what happened, but at some point the threat of Ganondorf was so great that the only way to defeat him was to call forth the Great Sea to submerge Hyrule and Ganondorf once and for all. The King of Hyrule, AKA the ship you’ve been sailing around in the whole game, was still alive, but sealed beneath the waves while Ganondorf had mysteriously escaped. Once you fully recover the Triforce of Courage, you confront Ganondorf, who extracts the Triforces from Zelda, Dan, and himself, and claims that whomever touches the Triforce will get a wish granted, his being the restoration of Ganondorf-controlled Hyrule. Before he can make a wish, the King of Hyrule touches it and wishes that Hyrule and Ganondorf be washed away and for Link and Zelda to escape. Link and Zelda turn Ganondorf to stone to keep him from escaping, water pours into the previously sealed-off Hyrule, and the great kingdom is erased from history.
Aside from being my favorite LoZ game story, I think that the Great Sea is my favorite LoZ overworld. Sure, it’s a little dull sometimes to sail around the map with the whole vast expanse of blue, but it’s also calming and fun at the same time. You see, you set the wind direction and you just put up your sails and move. Every little quadrant of the map features at least one, but typically more secrets and challenges and the whole island design allowed pre-Mario Galaxy development because each island could be specifically tailored to challenge different aspects of your arsenal of equipment and moves.
Sailing is fun, the story is fun, the gameplay is fun (but WAY too easy) and, at the end of the day, isn’t that what really matters?
I remember seeing this sucker in the movie theaters:
This Japanese commercial emphasizes the stark contrast between how Zelda is marketed in the East and West. Our commercial has that dark and edgy look while the Japanese one is more whimsical in presentation:
The top game on my list for this era is one that I actually finished fairly recently. While some may argue that there might be bias because it’s the most recent of these games that I’ve played, those people are wrong. What is this game? Here’s the only hint you’ll get: within this game you will experience pain, fear, end, fury, sorrow, and joy. The one that doesn’t make much sense is probably the giveaway that I’m talking about Metal Gear Solid 3: Snake Eater (Subsistence).
#1 Metal Gear Solid 3: Snake Eater
I’ve already waxed quite poetically about the game and story of MGS3 in my review, so if you skipped that guy to avoid spoilers, don’t bother reading it now, but that’s a good chunk of the validation for why this game sits at the #1 spot.
Still, I figure I should expand a bit about what makes this game so great. More than any other Metal Gear game to date (that I’ve played), Metal Gear Solid 3 absolutely embodies the tagline of “Tactical Stealth Action.” As you slink through the Russian jungle to achieve your mission, you really do feel like this is how it would theoretically be done. Naked Snake is also a great character. He hasn’t seen as much action as Solid at this point in his life, so he’s more naive and pure. Seeing him develop into the persona of Big Boss is truly moving as you see why both Naked and Solid end up making the decisions they later make in life after growing tired of the endless manipulations of governments.
The game succeeds on all fronts and truly deserves to stand out as the best this era ever produced.
Here’s a parody video highlighting one of the other characters as the actual protagonist:
Yet another parody movie regarding the end of the game:
Oh man, what a great Japanese commercial:
So that’s that for the Post 16-bit, Pre-Current Gen top three. Keep tuning in this week to see what didn’t quite make the list, but was still awesome!