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Embedded Reporter/Game Overview: Daniel Floyd on Sex in Videogames + Editorial
June 2nd, 2008 by Dan

Deep from the trenches, it’s time for your Monday video feature: Embedded Reporter.

Here’s a pretty interesting lecture about sex in videogames. Enjoy!

It’s sad that we have to deal with the gratuitously stupid brand of sexual immaturity that game developers just love to throw our way, but I don’t see it all disappearing, even with the supposed maturing of the medium. Think about it for a second, did you see, for example, Transformers? It’s never quite as blatant as Dead or Alive Xtreme Beach Volleyball, but remember that scene with Megan Fox where they’re working on Shia LaBeouf’s car? While you didn’t hear me complaining at all in the theater the night I saw that movie, I always know when I’m being pandered to and I find it mildly insulting.

The real problem with video game maturity levels is that video games have yet to be accepted as mainstream media. A good number of people I know consider them to be children’s toys and think that the day that I stop playing video games will be the day that I “grow up.” It’s no wonder then that a video game that is no more or less exploiting sex to sell copies (I’m not talking about DOA Xtreme here) than any episode of Grey’s Anatomy (how about that Super Bowl episode?) should be looked upon with greater scorn than the exact same thing, or worse, taking place on network television.

It’s just plain frustrating to me to have to deal with sexual immaturity when playing video games. Take a game like Dead or Alive 4. Dead or Alive pioneered breast physics, that’s no secret, so you can probably guess what is most highlighted about Dead or Alive 4. Hidden deep beneath the bouncing DD cups does live a fighting game that I actually enjoy playing for once. It’s not quite as technical as Tekken, doesn’t use weapons like Soulcalibur, and is faster paced than just about every other true fighter I’ve ever played. I love the fluid combos and the reversal system, and I’ll even go out and say that I do actually like the character designs too. So what’s the big deal? Well the immaturity is a bit on the embarrassing side. I think just about everyone I know who I’ve corralled into playing DoA 4 with me recalls the game the same way “The one with the big, bouncy boobs” and anyone who is just watching the game only sees the bouncing boobs and the panty shots and just doesn’t get how well the game controls and plays. It’s still fun, don’t get me wrong, it just (and maybe this is the American-raised Puritan in me) makes me feel stupid to own and play in front of people.

Daniel Floyd highlights the sexual maturity of Mass Effect and its relationship-based consensual sex being an example of the right way to go to bring sex to games. I mostly agree with that and a quick look at the game tells you that he’s mostly right. The female characters, aside from being “anatomically perfect,” are all dressed in no more a revealing fashion than anyone else is. Full-body armor is the norm. There’s no cleavage and no blatant sexuality (kind of…I mean, the armor’s cut to fit a woman, but the male armor is cut to fit a man…I’d put it in the “barely qualifies as blatant sexuality” category. I guess the “lesbian” sex with the asexual, but female in appearance, alien race does kind of qualify though…). Still though, the relationship system that everyone thinks is so amazing…it’s just not that hard to figure out. All you really have to do is be nice and flirt with whomever the game allows you to sleep with whenever the game allows you to further you dialog trees. That’s literally it. Complete goal A, get reward B. Heck, you even get achievement points for completing a romantic sidequest.

If you think about it, that’s how most non-scripted video game relationships work. In Final Fantasy VII, your date at the Golden Saucer was dependent on a point system generated through your responses to Tifa, Aeris, and Yuffie up to that point. Harvest Moon games have you “earn” your wife by giving her gifts and talking to her daily. Surely it must be that easy in real life, you just talk to someone and give them stuff and over the course of a year you’ll be able to give them a blue feather and marry them, right?

Yet while I complain about this, it becomes clear that relationships in movies and TV shows aren’t really that much more complicated than in Mass Effect, you just don’t get to choose your responses in a TV show. In Mass Effect, you either choose the “nice” options or the snappy/witty “flirting” options to go down the romance path. A TV show will typically have the characters do about the same thing. Exchange witty banter, maybe give or do something for the other person (a la Harvest Moon) or maybe even just save that person’s life (SPOILER ALERT: a la Mass Effect /SPOILER ALERT). So maybe video games are on the right path, it just feels cheaper, to me, when a relationship is boiled down to a counter variable and a conditional statement (if love >= cockblock) romanticsidequest = true;

In that sense, I think I can conceivably only be satisfied by the (well-)scripted love story rather than the life simulator. The ultimate life sim, The Sims, boils love down to just talking to a person and successful social interaction, culminating in WooHoo (cue Jason Lee: “You mean fucking?”) and, if you’re me, frustration afterwards as you try to maintain a high enough score to keep the “friendship” to get a promotion, but try to keep them away from your other conquests to increase your job performance.

It’s not the best example, but think of the tortured soul of Locke and his love of Rachel and Celes. It’s clear why he cares so much for Celes and why he tries so hard to protect her and once he’s able to let go of Rachel, we understand why him and Celes are together. It doesn’t feel cheap and it doesn’t feel like a cop-out to the story. It’s not like the movies where the main character gets the main girl at the end and then, all of a sudden, the supporting characters discover they too love each other and begin to kiss as well, having found love. It’s certainly eons beyond the James Bond brand of sexual immaturity, but I’d say most video games only aspire to that degree of maturity in their relationships (see Goldeneye (just kidding, I know that’s trivial, like saying x = x)).

So will Dan ever feel that any video game sexual relationship he was directly in charge of made any real degree of sense? I’d say that the game would have to do a damn good job of concealing the fact that I was filling up a counter variable. The problem is that if they concealed it too well and I randomly ended up with said reward at the end, it would feel cheap. Also not so fun: if you came on to a character and they totally burned you. Us nerds are fragile enough creatures who experience enough rejection on a day to day basis. To have a video game burn us…well it might shatter what’s left of our egos. In all seriousness, why wouldn’t that be a bad idea? It’d be a bit more realistic. If you threw in a couple of random number generators where some of your actions could have unintentional negative results, hell, you’d have just about the same degree of fickleness as a real woman…but I digress. In the end, we’ve still got a long ways to go for interactive relationships, but at least we’re fine on the pre-scripted variety.


10 Responses  
  • Eric writes:
    June 2nd, 200817:30at

    Pretty awesome and pretty well written. I couldn’t watch the video – probably Comcast being jerks again. I don’t know, but it says the video is no longer available.

    In a way, the breast physics are, however, just a direct porting of anime to video games – something you’ve lamented the video game industry skirting away from in the past. In a way, you have to take the good with the bad. If you’re going to have anime inspired games you have to deal with the fan service. In other words, that part of sex in video games will mature when the Japanese culture does.

    As far as your comment near the top about video games being for kids, and how people don’t yet appreciate it as an art form. I feel exactly the same way with animation. I’ve been given looks for enjoying animation even though I’m getting close to 30. But what they don’t understand is that animation is not some kind of Peter-Pan escapism, rather I enjoy it as an art form. I enjoy trying to reason why people can believe the celluloid or, recently, the polygon are real characters. If you look too closely, Aladdin looks ridiculous – not at all like a real human. But if you step back a little, you can sympathize with him for a couple of hours.

    And then there’s the shortcuts that are taken in animation vs real life and yet we accept it and don’t lose our suspension of disbelief. One extreme example is speed lines in Anime. Sure, that’s not real life at all, no matter how fast something goes, the background never blurs to lines and one solid colour. Yet, unless you are purposely looking at that, it doesn’t take you out of the moment.

    As I’ve watched some more adult cartoons recently, I’ve realized the problem people have with adult cartoons. It’s because they see them as children’s entertainment. South Park is EXTREMELY inappropriate for children to watch. But as an adult who’s in on the joke and in on the satire, it’s brilliant. (Well, they have quite a bit too much scatalogical humor, but what can you do?)

  • Dan writes:
    June 2nd, 200817:39at

    Yeah, I suppose you’re right. We can’t have our cake and eat it too.

    I’m pretty sure we will see some evolution and acceptance, but I don’t see us rising out of our sophomoric slump anytime too soon. I mean, just look at the sad state of the stories of most video games. Save the kingdom Y from the evil wizard Z. We’ve got a ways to go.

  • Dan writes:
    June 2nd, 200817:39at

    Also, I updated the embed code, it should work now.

  • Dan writes:
    June 2nd, 200817:49at

    I’m also quite peeved that I forgot to mention the relationship between Gordon Freeman and Alyx Vance in Half-Life 2. I’ll touch on that one of these days, cause it’s about as good as I’ve seen in modern times.

  • Eric writes:
    June 2nd, 200819:54at

    As these things often go, I’m not sure if your changing the embed code actually was the fix. It looked to me as though it was properly accessing the YouTube servers and then responding that the video was gone.

    However, the video is now viewable to me (which probably means you’ve made it non-viewable for everyone else in existence) and I think it was a very well done video. I wonder if there will be more and more animation done in the style of Zero Punctuation. I really find the visual puns quite hilarious and I think more should do this. (although not everyone – we don’t need another “me too” moment like reality tv) Content-wise I think he had a lot of salient points. Good video choice.

  • Eric writes:
    June 2nd, 200819:57at

    also, check out his animation reel – it has a funny rant against the Atkins Diet.

  • Dan writes:
    June 2nd, 200820:00at

    I’m pretty sure that the embed code was the problem, cause the Kotaku post that I got the embed code from no longer worked, but when I went further down the rabbit hole, I found code that did work. Could be wrong though, I dunno.

  • Dan writes:
    June 2nd, 200820:05at

    That was pretty funny. I’m gonna check out his one about storytelling in video gaming too.

  • I Bring Nothing to the Table » Blog Archive » Game Overview: Current Gen All-Stars writes:
    June 27th, 20080:26at

    […] Joined by his partner Sully and the requisite sassy reporter Elena (yet another example of a restrained female character design that is STILL cool despite not having huge knockers. Take that sophomoric game designers!) Drake […]

  • I Bring Nothing to the Table » Blog Archive » Daniel Floyd Returns! The Uncanny Valley [Embedded Reporter] writes:
    June 1st, 20099:26at

    […] Posts Related PostsRelated posts:Embedded Reporter/Game Overview: Daniel Floyd on Sex in Videogames + Editorial Deep from the trenches, it’s time for your Monday video…Auto-Tune the News [Embedded […]


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